A work in constant progress (and occasional regress).
After graduating film school in his home country Mexico, Diego GARCÍA (1979) made filmed his feature debut with Mark Jackson’s Without (2011). García's international breakthrough followed in 2012 with his work on Yulene Olaizola’s Fogo. Alternating between American indies and world cinema, he continued collaborating with filmmakers such as Apichatpong Weerasethakul, Gabriel Mascaro and Carlos Reygadas. García’s award-winning camerawork is inspired by paintings and strong contrasts of light and dark. Recent work includes the cinematography for Paul Dano's directorial debut Wildlife (2018), Nicolas Winding Refn’s television series Too Old to Die Young (2019) and Yorgos Lanthimos' short film Nimic (2019).
Assistant Director:
2006 Chronicle of an Escape
Associate Producer:
2006 Chronicle of an Escape
2016 The Darkness
Cinematography:
2004 El Sonido del Silencio
2005 Cruces Desiertas
2006 Chronicle of an Escape
2016 The Darkness
???? Centro da Terra
Director of Photography:
2004 El Sonido del Silencio
2005 Cruces Desiertas
2006 Chronicle of an Escape
2011 Without
2012 Fogo
2012 Táu
2013 The Well
2014 Beast of Cardo
2014 Chuy, The Wolf Man
2014 Happy Times
2015 Cemetery of Splendor
2016 Neon Bull
2016 The Darkness
2018 Our Time
2018 Victory Day
2018 Wildlife
2019 Divine Love
2020 Nimic
2022 Causeway
???? Centro da Terra
???? Shokogun
Screenplay:
2004 El Sonido del Silencio
2005 Cruces Desiertas
2006 Chronicle of an Escape
2011 Without
2012 Fogo
2012 Táu
2013 The Well
2014 Beast of Cardo
2014 Chuy, The Wolf Man
2014 Happy Times
2015 Cemetery of Splendor
2016 Neon Bull
2016 The Darkness
2018 Our Time
2018 Victory Day
2018 Wildlife
2019 Divine Love
2020 Nimic
2022 Causeway
???? Centro da Terra
???? Shokogun
Cinematography:
2019 Too Old to Die Young
Director of Photography:
2019 Too Old to Die Young
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.