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Cemetery of Splendor (2015) [NR]

Release Date:
September 2, 2015

Original Title:
รักที่ขอนแก่น

Alternate Titles:
Cemetery of Kings
Cemetery of Splendour
Love in Khon Kaen
Rak ti Khon Kaen
Sovende soldater

Genres:
Drama | Fantasy

Production Companies:
Anna Sanders Films
Asia Culture Centre-Asian Arts Theatre
Astro Shaw
CNC
Detalle Films
Geißendörfer Film-und Fernsehproduktion
Illuminations Films
Kick the Machine
Louverture Films
The Match Factory
Tordenfilm
ZDF/Arte

Production Countries:
France | Germany | Malaysia | Mexico | Norway | South Korea | Thailand | United Kingdom | United States of America

Ratings / Certifications:
AT: AA  JP: G  NL: AL  US: NR 

Runtime: 122

Overview from TheMovieDB

In a hospital, ten soldiers are being treated for a mysterious sleeping sickness. In a story in which dreams can be experienced by others, and in which goddesses can sit casually with mortals, a nurse learns the reason why the patients will never be cured, and forms a telepathic bond with one of them.

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Production

Art Direction:
Pichan Muangduang

Associate Producer:
Georges Schoucair
Susan Rockefeller
Holger Stern

Co-Producer:
Eric Vogel
Ingunn Sundelin
Viola Fügen
Najwa Abu Bakar
Moisés Cosío
Joslyn Barnes
Caroleen Feeney
Danny Glover

Colorist:
Chaitawat Thrisansri

Costume Design:
Phim U-mari

Director:
Apichatpong Weerasethakul

Director of Photography:
Diego García

Editor:
Lee Chatametikool

First Assistant Director:
Sompot Chidgasornpongse

Foley:
Bertrand Boudaud

Line Producer:
Suchada Suwannasorn

Producer:
Apichatpong Weerasethakul
Keith Griffiths
Charles de Meaux
Simon Field
Hans W. Geißendörfer
Michael Weber

Production Design:
Akekarat Homlaor

Second Assistant Director:
Yingsiwat Yamolyong

Sound Designer:
Akritchalerm Kalayanamitr
Richard Hocks

Sound Re-Recording Mixer:
Richard Hocks

Thanks:
Ruth Brothers
Lorna Tee
Luis Miñarro

Third Assistant Director:
Suteenit Kangvan

Writer:
Apichatpong Weerasethakul

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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