Emma. (2020) [PG]

Release Date:
February 13, 2020

Original Title:
Emma.

Alternate Titles:
Autumn de Wilde Emma.
EMMA エマ:2020
Emma
Emma P
Emma.
Tiểu Thư Emma
Эмма
爱玛

Genres:
Comedy | Romance

Production Companies:
Blueprint Pictures
Working Title Films

Production Countries:
United Kingdom

Ratings / Certifications:
AU: PG  BR: 10  CZ: 12+  ES: 12  FI: S  FR: TP  GB: U  GR: Κ  HU: 12  IE: PG  KR: 12  NL: 14  PL: 12  RO: AP  RU: 16+  SE: Btl  SK: 12  UA: 12+  US: PG 

Runtime: 125

Love knows best.

In 1800s England, a well-meaning but selfish young woman meddles in the love lives of her friends.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

"B" Camera Operator:
Iain Mackay

Art Department Coordinator:
Erin Shien Smith

Art Direction:
Alice Sutton
Mark Lavis

Assistant Art Director:
Aislinn Tudhope
Charlotte Hutchings

Assistant Costume Designer:
Anna Cavaliere
Laura Smith
Sally Turner

Assistant Production Coordinator:
Chelsea Bulloch
Shana Bah

Best Boy Grip:
Michael Wacker

Casting:
Jessica Ronane

Casting Associate:
Christopher Worrall

Co-Producer:
Jo Wallett

Concept Artist:
Elo Soode

Conceptual Design:
Elo Soode

Conductor:
Alastair King

Construction Manager:
Dan Marsden

Costume Coordinator:
Alice Bambridge

Costume Design:
Alexandra Byrne

Costume Supervisor:
Giles Gale

Dialect Coach:
Jamie Matthewman

Dialogue Editor:
James Wichall

Director:
Autumn de Wilde

Director of Photography:
Christopher Blauvelt

Editor:
Nick Emerson

Executive Producer:
Amelia Granger
Ben Knight

First Assistant Director:
Deborah Saban

First Assistant Editor:
Charlie Thorne

Foley Artist:
Peter Burgis
Zoe Freed

Foley Editor:
Adam Oakley

Foley Mixer:
Jemma Riley-Tolch

Gaffer:
Paul McGeachan

Graphic Designer:
Frances Bennett

Hair Designer:
Marese Langan

Key Grip:
Alex Mott

Makeup & Hair:
Denise Stocker
Claudia Stolze
Tünde Kiss-Benke

Makeup Designer:
Marese Langan

Music Consultant:
Zach Cowie
William Lyons

Music Editor:
Mark Willsher

Music Supervisor:
Becky Bentham

Novel:
Jane Austen

Orchestrator:
Alastair King

Original Music Composer:
David Schweitzer
Isobel Waller-Bridge

Painter:
Lisa Collins

Post Production Coordinator:
Sophia Vas-Jones
Louise Sinclair

Producer:
Tim Bevan
Eric Fellner
Graham Broadbent
Peter Czernin

Production Accountant:
Samantha Beddoe

Production Assistant:
Lindani Ndabandaba

Production Coordinator:
Jannika Öberg

Production Design:
Kave Quinn

Production Secretary:
Sally Hill

Production Sound Mixer:
John Casali

Property Master:
Owen Harrison

Rigging Gaffer:
Will Kendal

Screenplay:
Eleanor Catton

Script Supervisor:
Zoe Morgan

Set Decoration:
Stella Fox

Sound Designer:
Ben Barker
Glenn Freemantle

Sound Effects Editor:
Robert Malone
Danny Freemantle
Nick Freemantle
Dayo James

Sound Re-Recording Mixer:
Ian Tapp
Andrew Caller

Special Effects Supervisor:
Neal Champion

Standby Art Director:
Mary Buri

Steadicam Operator:
Iain Mackay

Still Photographer:
Liam Daniel

Supervising Art Director:
Andrea Matheson

Supervising Dialogue Editor:
Emilie O'Connor

Transportation Captain:
Ollie Birmingham

Unit Production Manager:
Rachel Neale

Unit Publicist:
Stacy Mann

Visual Effects Coordinator:
Elliot Mander

Visual Effects Producer:
Zafar Janjua

Visual Effects Supervisor:
Dillan Nicholls

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.