A work in constant progress (and occasional regress).
Alias:
Alex Buck
Dialogue Editor:
2007 2030 - Aufstand der Alten
2008 Adam Resurrected
2008 North Face
2010 Black Death
2021 Gunpowder Milkshake
2023 Perfect Days
Sound Designer:
2000 I'll Wait on You Hand and Foot
2007 2030 - Aufstand der Alten
2008 Adam Resurrected
2008 North Face
2010 Black Death
2021 Belleville, belle et rebelle
2021 Gunpowder Milkshake
2023 Perfect Days
Sound Editor:
2000 I'll Wait on You Hand and Foot
2003 Die Champions - Der Traum vom Fußball
2007 2030 - Aufstand der Alten
2008 Adam Resurrected
2008 North Face
2010 Black Death
2012 Cloud Atlas
2021 Belleville, belle et rebelle
2021 Gunpowder Milkshake
2023 Perfect Days
Sound Effects Editor:
2000 I'll Wait on You Hand and Foot
2003 Die Champions - Der Traum vom Fußball
2004 The Defender
2006 Open Water 2: Adrift
2007 2030 - Aufstand der Alten
2008 Adam Resurrected
2008 North Face
2010 Black Death
2012 Cloud Atlas
2021 Belleville, belle et rebelle
2021 Gunpowder Milkshake
2023 Perfect Days
Supervising ADR Editor:
2000 I'll Wait on You Hand and Foot
2003 Die Champions - Der Traum vom Fußball
2004 The Defender
2006 Open Water 2: Adrift
2007 2030 - Aufstand der Alten
2008 Adam Resurrected
2008 North Face
2010 Black Death
2012 Cloud Atlas
2021 Belleville, belle et rebelle
2021 Gunpowder Milkshake
2022 All Quiet on the Western Front
2023 Perfect Days
Supervising Dialogue Editor:
2000 I'll Wait on You Hand and Foot
2003 Die Champions - Der Traum vom Fußball
2004 The Defender
2006 Open Water 2: Adrift
2007 2030 - Aufstand der Alten
2008 Adam Resurrected
2008 North Face
2010 Black Death
2012 Cloud Atlas
2021 Belleville, belle et rebelle
2021 Gunpowder Milkshake
2022 All Quiet on the Western Front
2023 Perfect Days
Dialogue Editor:
2024 Where's Wanda?
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.