A work in constant progress (and occasional regress).
Release Date:
October 7, 2022
Original Title:
Im Westen nichts Neues
Alternate Titles:
A Oeste Nada de Novo
A l'Ouest, rien de nouveau
Ba'Ma'arav Eyn Kol Khadash
Batı Cephesinde Yeni Bir Şey Yok
Intet nyt fra vestfronten
Intet nytt fra vestfronten
Na Zachodzie Bez Zmian
Na západe nič nové
Na západní frontě klid
Nada de Novo no Front
Niente di nuovo sul fronte occidentale
Nimic nou pe frontul de vest
Nyugaton a helyzet változatlan
På västfronten intet nytt
Qərb Cəbhəsində Yeni Bir Şey Yoxdur
Sense novetat en el front
Sin novedad en el frente
Vakarų fronte nieko naujo
À l'ouest rien de nouveau
На Западния фронт нищо ново
На Западном фронте без перемен
На Західному фронті без змін
На западу ништа ново
במערב אין כל חדש
كل شيء هادئ في الميدان الغربي
แนวรบด้านตะวันตก เหตุการณ์ไม่เปลี่ยนแปลง
西線無戰事
西线无战事
西部戦線異状なし
서부 전선 이상 없다
서부전선 이상 없다
Genres:
Drama | History | War
Production Companies:
Amusement Park Films
Gunpowder Films
Production Countries:
Germany
Ratings / Certifications:
AU: MA 15+ BR: 16 CH: 16 DE: 16 ES: 16 FR: 16 GB: 15 HR: 16 HU: 16 IE: 15 JP: R18+ KR: 18 NL: 16 PL: 16 PR: R RO: 18 SG: M18 US: R
Runtime: 147
Paul Baumer and his friends Albert and Muller, egged on by romantic dreams of heroism, voluntarily enlist in the German army. Full of excitement and patriotic fervour, the boys enthusiastically march into a war they believe in. But once on the Western Front, they discover the soul-destroying horror of World War I.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Editor:
Thomas Kalbér
Moritz Hoffmeister
ADR Mixer:
Jan Meyerdierks
Benjamin Schäfer
Andy Schlegel
Art Direction:
Pavel Vojtisek
Patrick Herzberg
Milena Koubková
Assistant Set Decoration:
Ingo Klier
Boom Operator:
Günter Friedhoff
Peyman Ghalambor
Casting:
Simone Bär
Constance Demontoy
Arwa Salmanova
Costume Design:
Lisy Christl
Costume Supervisor:
Klára Forejtová
Director:
Edward Berger
Director of Photography:
James Friend
Editor:
Sven Budelmann
Executive Producer:
Lesley Paterson
Ian Stokell
Daniel Brühl
Foley Artist:
Carsten Richter
Daniel Weis
Foley Editor:
Kuen-Il Song
Foley Mixer:
Hanse Warns
Hair Designer:
Heike Merker
Hair Supervisor:
Linda Eisenhamerová
Line Producer:
Pavel Muller
Mark Nolting
Makeup & Hair:
Aisha King
Gabriela Poláková
Daniela Skala
Makeup Designer:
Heike Merker
Makeup Supervisor:
Linda Eisenhamerová
Music Supervisor:
Milena Fessmann
Novel:
Erich Maria Remarque
Orchestrator:
Robert Ames
Original Music Composer:
Volker Bertelmann
Producer:
Edward Berger
Daniel Marc Dreifuss
Malte Grunert
Production Design:
Christian M. Goldbeck
Production Executive:
Jasmina Torbati
Screenplay:
Lesley Paterson
Ian Stokell
Edward Berger
Set Decoration:
Ernestine Hipper
Set Decoration Buyer:
Jonathan Downing
Set Designer:
Elena Nassi
Katerina Raskova
Ana Saric
Melkior Serdarevic
Set Dresser:
Michal Motyčka
Set Production Assistant:
Matej Kricner
Sound Designer:
Frank Kruse
Markus Stemler
Sound Re-Recording Mixer:
Lars Ginzel
Stefan Korte
Standby Art Director:
Bryce Tibbey
Stunts:
Miroslav Lhotka
Supervising ADR Editor:
Benjamin Hörbe
Alexander Buck
Supervising Art Director:
Jindřich Kočí
Supervising Dialogue Editor:
Alexander Buck
Visual Effects Coordinator:
Stefan Kerbel
Michaela Mladá
Visual Effects Producer:
Lenka Líkařová
Rufin Wiesemann
Visual Effects Supervisor:
Markus Frank
Viktor Müller
Frank Petzold
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.