A work in constant progress (and occasional regress).
Assistant Camera:
1953 Bread, Love and Dreams
1953 Traviata 53
1954 The Seducer
Camera Operator:
1951 Miracolo a Viggiù
1953 Bread, Love and Dreams
1953 Traviata 53
1954 The Seducer
1956 Toto, Peppino, and the Hussy
1956 Totò, Peppino e i fuorilegge
1962 Mafioso
1963 The Boom
1963 The Girl from Parma
1963 The Visitor
1964 The Escape
1964 The Visit
1965 Don Camillo in Moscow
1965 Sandra
1965 Six Days a Week
1965 Weekend, Italian Style
1966 The Queens
1967 Misunderstood
1967 Soldier's Girl
1967 Son of Django
1967 The Head of the Family
1968 Italian Secret Service
1969 That Splendid November
Cinematography:
1951 Miracolo a Viggiù
1953 Bread, Love and Dreams
1953 Traviata 53
1954 The Seducer
1956 Toto, Peppino, and the Hussy
1956 Totò, Peppino e i fuorilegge
1962 Mafioso
1963 The Boom
1963 The Girl from Parma
1963 The Visitor
1964 The Escape
1964 The Visit
1965 Don Camillo in Moscow
1965 Sandra
1965 Six Days a Week
1965 Weekend, Italian Style
1966 The Queens
1967 Misunderstood
1967 Soldier's Girl
1967 Son of Django
1967 The Head of the Family
1968 Italian Secret Service
1969 That Splendid November
1971 Goodbye Uncle Tom
1973 Trevico-Torino (viaggio nel Fiat-Nam)
1983 The Commissioner
1986 Deadheat
Director of Photography:
1951 Miracolo a Viggiù
1953 Bread, Love and Dreams
1953 Traviata 53
1954 The Seducer
1956 Toto, Peppino, and the Hussy
1956 Totò, Peppino e i fuorilegge
1962 Mafioso
1963 The Boom
1963 The Girl from Parma
1963 The Visitor
1964 The Escape
1964 The Visit
1965 Don Camillo in Moscow
1965 Sandra
1965 Six Days a Week
1965 Weekend, Italian Style
1966 The Queens
1967 Misunderstood
1967 Soldier's Girl
1967 Son of Django
1967 The Head of the Family
1968 Italian Secret Service
1968 This Man Can't Die
1968 Will Our Heroes Be Able to Find Their Friend Who Has Mysteriously Disappeared in Africa?
1969 Police Chief Pepe
1969 Quella piccola differenza
1969 That Splendid November
1971 Goodbye Uncle Tom
1971 My Name Is Rocco Papaleo
1972 Blessed Are the Rich
1972 Don Camillo and the Contestants
1972 The Most Wonderful Evening of My Life
1973 The Magnificent Dare Devil
1973 Trevico-Torino (viaggio nel Fiat-Nam)
1974 Scent of a Woman
1974 Virility
1974 We All Loved Each Other So Much
1975 L'ammazzatina
1976 A Whisper in the Dark
1976 The Career of a Chambermaid
1977 Crime Busters
1978 Last Feelings
1980 Cafè Express
1980 Desideria
1980 Fantozzi Against the Wind
1982 Di padre in figlio
1982 Heads I Win, Tails You Lose
1983 Christmas Holidays
1983 Italian Boys
1983 The Commissioner
1984 A Tender Sunset
1984 A Woman in the Mirror
1984 Amarsi un po'...
1984 Vacanze in America
1984 Where's Picone?
1985 My Friends Act III
1986 Deadheat
1987 Il lupo di mare
1988 Il vizio di vivere
1989 Scugnizzi
1993 Giovanni Falcone
1993 Package, Double Package and Counterpackage
1995 Segreto di Stato
1999 Scandalous Crimes
Camera Operator:
1994 A che punto è la notte
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.