A work in constant progress (and occasional regress).
Release Date:
December 21, 1974
Original Title:
C'eravamo tanto amati
Alternate Titles:
Byliśmy tacy zakochani
C'eravamo tanto amati
Cât de mult ne-am iubit
Mehän rakastimme toisiamme niin paljon
Mennyire szerettük
Nos habíamos amado tanto
Nos habíamos querido tanto
Nous nous sommes tant aimés
Nós Que Nos Amávamos Tanto
Så gode venner var vi vist
Täo Amigos Que Nós Éramos
Una mujer y 3 hombres
Vi som elsket hverandre så høyt
Vi som älskade varann så mycket
We Hielden Zoveel van Elkaar
Wir hatten uns so geliebt
우리는 그토록 사랑했네
Genres:
Comedy | Drama
Production Companies:
Deantir
Production Countries:
Italy
Ratings / Certifications:
FR: U IT: T NL: 12 SE: 11
Runtime: 124
Three partisans bound by a strong friendship return home after the war, but the clash with everyday reality puts a strain on their bond.
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Assistant Costume Designer:
Antonio Randaccio
Assistant Editor:
Lidia Pascolini
Assistant Production Design:
Ezio Di Monte
Camera Operator:
Oddone Bernardini
Costume Design:
Luciano Ricceri
Director:
Ettore Scola
Director of Photography:
Claudio Cirillo
Editor:
Raimondo Crociani
First Assistant Director:
Giorgio Scotton
Gaffer:
Bruno Angeletti
Hairstylist:
Renata Magnanti
Key Grip:
Amerigo Casagrande
Makeup Artist:
Goffredo Rocchetti
Giulio Natalucci
Original Music Composer:
Armando Trovajoli
Presenter:
Vittorio De Sica
Producer:
Pio Angeletti
Adriano De Micheli
Production Design:
Luciano Ricceri
Production Manager:
Gianni Cecchin
Production Secretary:
Antonio Barone
Screenplay:
Agenore Incrocci
Furio Scarpelli
Ettore Scola
Script Supervisor:
Silvio Ferri
Sound:
Vittorio Massi
Still Photographer:
Paul Ronald
Story:
Furio Scarpelli
Agenore Incrocci
Ettore Scola
Thanks:
Federico Fellini
Mike Bongiorno
Guidarino Guidi
Marcello Mastroianni
Nello Meniconi
Pierluigi Praturlon
Unit Manager:
Antonio Sarno
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.