A work in constant progress (and occasional regress).
Release Date:
February 6, 1976
Original Title:
Telefoni bianchi
Alternate Titles:
De carrière van een kamermeisje
La carrière d'une femme de chambre
La diva del teléfono blanco
Telefoni bianchi
The Career of a Chambermaid
Genres:
Comedy | Drama | Romance
Production Companies:
Dean Film
Production Countries:
Italy
Ratings / Certifications:
FR: TP IT: T
Runtime: 111
This slight skewering of the mindset of the Fascist era when Italy’s “White Telephone” films (conservative minded sophisticated comedy-dramas revolving around the bourgeoisie) were in vogue gives Agostina Belli her best role – an ambitious Venetian girl that goes from chambermaid to prostitute to singer to film-star to mistress of ‘Il Duce’! – for which she received a special David Di Donatello award, the Italian equivalent of the Oscar.
Assistant Costume Designer:
Antonio Randaccio
Assistant Editor:
Anna Rosa Napoli
Assistant Production Design:
Ezio Di Monte
Camera Operator:
Oddone Bernardini
Costume Design:
Luciano Ricceri
Director:
Dino Risi
Director of Photography:
Claudio Cirillo
Editor:
Alberto Gallitti
First Assistant Director:
Claudio Risi
Hairstylist:
Giusy Bovino
Makeup Artist:
Giulio Natalucci
Original Music Composer:
Armando Trovajoli
Producer:
Pio Angeletti
Adriano De Micheli
Production Design:
Luciano Ricceri
Production Manager:
Mario D'Alessio
Screenplay:
Bernardino Zapponi
Dino Risi
Ruggero Maccari
Script Supervisor:
Carla Giarè
Sound:
Vittorio Massi
Sound Effects:
Renato Marinelli
Sound Mixer:
Venanzio Biraschi
Still Photographer:
Paul Ronald
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.