A work in constant progress (and occasional regress).
Alias:
جکی ویور
재키 위버
Birthplace:
Sydney, New South Wales, Australia
Born:
May 25, 1947
Jacqueline Ruth Weaver AO (born 25 May 1947) is an Australian theatre, film, and television actress. Her accolades include five AACTA Awards(including the Longford Lyell Award), a National Board of Review Award, and nominations for two Academy Awards and a Golden Globe Award. Weaver emerged in the 1970s during the Australian New Wave through her work in Ozploitation films such as Stork (1971), Alvin Purple (1973), and Petersen (1974). She later starred in Picnic at Hanging Rock (1975), Caddie (1976), Squizzy Taylor (1982), and several television films and miniseries. She also starred in Australian productions of plays such as Death of a Salesman and A Streetcar Named Desire. Weaver received international attention and nominations for the Academy Award for Best Supporting Actress for her performances in the crime film Animal Kingdom (2010) and the comedy-drama film Silver Linings Playbook (2012), the former of which also earned her the National Board of Review Award. This attention led her to receive roles in further Hollywood projects, including the films The Five-Year Engagement (2012), Parkland (2013), Magic in the Moonlight (2014), The Disaster Artist (2017), Bird Box, Widows (both 2018), Poms (2019), Stage Mother (2020), and Father Stu (2022). On television, Weaver starred in the Starz comedy series Blunt Talk (2015–2016), the Fox Showcasepolitical thriller Secret City (2016–2019), the Epix thriller Perpetual Grace, LTD (2019), and the Stanscience fiction series Bloom (2019–2020). Since 2021, she has played a recurring role as Caroline Warner in the Paramount Network neo-Western series Yellowstone. Description above from the Wikipedia article Jacki Weaver, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.