A work in constant progress (and occasional regress).
Release Date:
April 27, 2012
Original Title:
The Five-Year Engagement
Alternate Titles:
5 Year Engagement
Cinq ans de réflexion
Ο Πενταετής Αρραβώνας
婚迷指数:5
订婚五年
Genres:
Comedy | Romance
Production Companies:
Apatow Productions
Relativity Media
Stoller Global Solutions
Universal Pictures
dentsu
Production Countries:
United States of America
Ratings / Certifications:
AU: MA15+ BE: 16 BR: 14 CZ: 18+ DE: 12 FR: TP GB: 15 HU: 16 IE: 15 JP: R18+ NL: 12 PL: 16 PT: M/16 RO: 18 RU: 18+ SE: 15 US: R
Runtime: 124
Exactly one year after Tom meets Violet, he surprises her with a wedding ring. By all accounts, Tom and Violet are destined for their happily ever after. However, this engaged couple just keep getting tripped up on the long walk down the aisle.
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ADR Editor:
Joe Schiff
Tammy Fearing
ADR Supervisor:
Larry Kemp
Art Department Coordinator:
Hilary Bristoll
Art Direction:
John B. Josselyn
Assistant Editor:
Mitch Rosin
Emily Streetz
Best Boy Electric:
John Wendling
Boom Operator:
Andrew Adams
Camera Operator:
Christopher TJ McGuire
Casting:
Jeanne McCarthy
Construction Coordinator:
Douglas Womack
Costume Design:
Leesa Evans
Costume Supervisor:
Ariel Gold
Dialect Coach:
Bob Corff
Dialogue Editor:
Alison Fisher
James Matheny
Director:
Nicholas Stoller
Director of Photography:
Javier Aguirresarobe
Dolly Grip:
Tommy Daguanno
Keith Wandrei
Editor:
Peck Prior
William Kerr
Executive Producer:
Richard Vane
First Assistant Camera:
Gregg Horvath
First Assistant Director:
Michael J. Moore
First Assistant Editor:
Kenneth Marsten
Brian Scott Olds
Gaffer:
Tim O'Dea
Louis DiCesare
Greensman:
Eric Rhodes
Grip:
Hilario Gonzalez
Hilario Gonzalez
Hilario Gonzalez
Hair Department Head:
Nina Paskowitz
Hairstylist:
Emilie Cockels
Jennifer Tremont
Mia Daaja
Key Grip:
Charles John Bukey
Sean T. Kelly
Key Hair Stylist:
Elizabeth Cortez
Key Makeup Artist:
Maggie Fung
Key Set Costumer:
Jessica Albertson
Leadman:
Mike Sunga
Lighting Technician:
Omar Sabeh
Location Manager:
Curtis Collins
Makeup Artist:
Kris Ravetto
Andrea Pino
Makeup Department Head:
Peter Robb-King
Music Editor:
Carl Sealove
Jonathan Karp
Original Music Composer:
Michael Andrews
Post Production Supervisor:
Lisa Rodgers
Producer:
Judd Apatow
Nicholas Stoller
Rodney Rothman
Production Coordinator:
Sarah Sprague
Production Design:
Julie Berghoff
Prop Maker:
Boyd Bossler
Michael Spatola
Property Master:
Sean Mannion
Prosthetic Makeup Artist:
Leo Corey Castellano
Rigging Gaffer:
Chris Ritter
Rigging Grip:
Adam Kogelman
Amy Snell
Scott Zuckerberg
Scenic Artist:
Garrett Lowe
Screenplay:
Jason Segel
Nicholas Stoller
Script Supervisor:
Brenda Lopez
Seamstress:
Kate Abraham
Second Unit Director:
Jeff Dashnaw
Set Decoration:
Sophie Neudorfer
Set Designer:
Erick Donaldson
Justin N. Lang
Set Production Assistant:
Angela Higley
Angela Higley
Sound Effects Editor:
Lee Gilmore
Sound Mixer:
Ken Segal
Sound Re-Recording Mixer:
Marc Fishman
Adam Jenkins
Steadicam Operator:
Mark Karavite
Still Photographer:
Glen Wilson
Stunt Coordinator:
Joe Bucaro III
Jeff Dashnaw
Supervising Sound Editor:
George H. Anderson
Tailor:
Cynthia Bond
Visual Effects Producer:
Seth Kleinberg
Visual Effects Supervisor:
Mark Larranaga
Scott M. Davids
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.