A work in constant progress (and occasional regress).
Release Date:
November 16, 2012
Original Title:
Silver Linings Playbook
Alternate Titles:
El lado bueno de las cosas
Guia para um Final Feliz
Happiness Therapy
L'orlo argenteo delle nuvole
Los Juegos del Destino
O Lado Bom da Vida
Silver Linings Playbook
Silver Linings Playbook:2012
Terapie láskou
U dobru i u zlu
Unelmien pelikirja
Õnneteraapia
Οδηγός αισιοδοξίας
Мій хлопець - псих
Наръчник на оптимиста
ลุกขึ้นใหม่ หัวใจมีเธอ
실버라이닝 플레이북
Genres:
Comedy | Drama | Romance
Production Companies:
The Weinstein Company
Production Countries:
United States of America
Ratings / Certifications:
AU: M BE: 16 BG: B BR: 12 CH: 14 CZ: 15+ DE: 12 DK: 11 ES: 12 FI: K-16 GB: 15 GR: Κ-12 HU: 16 IE: 15A IL: הותר לכל KR: 18 MX: C NL: 6 NO: 12 NZ: M PL: 18 PT: M/12 RO: 15 RU: 18+ SE: 11 US: R
Runtime: 122
After spending eight months in a mental institution, a former teacher moves back in with his parents and tries to reconcile with his ex-wife.
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"A" Camera Operator:
David J. Thompson
"B" Camera Operator:
Chris Reynolds
ADR Editor:
Christopher T. Welch
Art Department Coordinator:
Marjorie Eber
Art Direction:
Jesse Rosenthal
Casting:
Lindsay Graham Ahanonu
Mary Vernieu
Patty Connolly
Clapper Loader:
Jason Rihaly
Co-Executive Producer:
Renee Witt
Co-Producer:
Mark Kamine
Costume Design:
Mark Bridges
Costume Supervisor:
Lynda Foote
Dialogue Editor:
Susan Kurtz
Frank Smathers
Mike Szakmeister
Director:
David O. Russell
Director of Photography:
Masanobu Takayanagi
Editor:
Jay Cassidy
Crispin Struthers
Executive In Charge Of Production:
Tim Clawson
Executive Producer:
Bradley Cooper
George Parra
Bob Weinstein
Harvey Weinstein
Michelle Raimo Kouyate
First Assistant "A" Camera:
Donald Burghardt
First Assistant "B" Camera:
Glenn Kaplan
First Assistant Director:
Michele Ziegler
Hairstylist:
Lori McCoy-Bell
Jerry Popolis
Patricia Grande
Makeup Artist:
Maya Hardinge
Diane Heller
Music Editor:
Dick Bernstein
Philip Tallman
Music Supervisor:
Susan Jacobs
Novel:
Matthew Quick
Original Music Composer:
Danny Elfman
Post Production Supervisor:
Tim Pedegana
Producer:
Bruce Cohen
Donna Gigliotti
Jonathan Gordon
Production Assistant:
Weston Middleton
Production Coordinator:
David Raynor
Production Design:
Judy Becker
Rigging Gaffer:
Richie Ford
Screenplay:
David O. Russell
Script Supervisor:
Karen Golden
Second Assistant "A" Camera:
Julian J. Delacruz
Second Assistant "B" Camera:
Anthony DeFrancesco
Second Assistant Director:
Xanthus Valan
Second Second Assistant Director:
Timothy Blockburger
Set Costumer:
Rhea Lowenthal
Angeline Zeigler
Set Decoration:
Heather Loeffler
Sound Effects Editor:
Jeff Sawyer
Angelo Palazzo
Sound Mixer:
Tom Nelson
Sound Re-Recording Mixer:
Myron Nettinga
John Ross
Kaspar Hugentobler
Special Effects Coordinator:
Drew Jiritano
Steadicam Operator:
David J. Thompson
Still Photographer:
JoJo Whilden
Stunt Coordinator:
Ben Hernandez Bray
Stunt Double:
Jennifer Lamb
Jalil Jay Lynch
Samantha MacIvor
Michael Trisler
Stunt Driver:
Bill Anagnos
Stunts:
Jen Weissenberg
Chris Cenatiempo
Manny Ayala
Chris Barnes
Keenen Bray
Kevin Abercrombie
Eddie J. Fernandez
Jared Burke
Derek Graf
Robert Lee Harvey
Tony Guida
Mark Fichera
Supervising ADR Editor:
Eliza Pollack Zebert
Supervising Dialogue Editor:
Eliza Pollack Zebert
Supervising Sound Editor:
Odin Benitez
Thanks:
Anthony Minghella
Sydney Pollack
Unit Production Manager:
Mark Kamine
George Parra
Utility Stunts:
Frank Torres
Rene Mousseux
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.