A work in constant progress (and occasional regress).
Release Date:
July 19, 1991
Original Title:
Omen IV: The Awakening
Alternate Titles:
La Profecia IV El Despertar
La Profecia IV: El Renacer
Omen 4
Omen 4: The Awakening
Omen IV - The Awakening
Omen IV։ The Awakening
Přichází Satan - Procitnutí
The Omen IV
Омен 4: Пробуждение
天魔4
Genres:
Horror | Mystery | TV Movie | Thriller
Production Companies:
20th Century Fox
FNM Films
Harvey Bernhard Productions
Mace Neufeld Productions
Production Countries:
United States of America
Ratings / Certifications:
DE: 16 ES: 18 FI: K-16 GB: 15 IE: 15A PT: M/16 US: PG
Runtime: 97
Damien Thorn is dead, but his prophecy is reborn in a mysterious girl named Delia, who is adopted by two attorneys.
"B" Camera Operator:
Robert Crone
Additional Casting:
Mary Jo Slater
Art Direction:
Lawrence F. Pevec
Assistant Camera:
Brian C. Murphy
Assistant Costume Designer:
Toni Burroughs-Rutter
Assistant Editor:
Frank C. Decot
Lorie Olson
Shannon Mitchell
Assistant Hairstylist:
Malcolm Marsden
Assistant Location Manager:
Greg Jackson
Assistant Makeup Artist:
Patricia Murray
Assistant Production Coordinator:
Marilyn Bell
Assistant Set Decoration:
Janet Clark
Assistant Set Dresser:
James Kilcher
Best Boy Electrician:
Burton 'Joe' Kuchera
Best Boy Grip:
Kevin Black
Boom Operator:
Tony Giacinti
Camera Operator:
Tom Fillingham
Camera Trainee:
Doug Lavender
Casting:
Melissa Skoff
Casting Assistant:
Rebecca Hilgen
Darlene Honeycutt
Casting Associate:
Jeffrey Newman
Characters:
David Seltzer
Co-Producer:
Robert J. Anderson
Construction Coordinator:
Doug Hardwick
Costume Designer:
Susan De Laval
Costume Supervisor:
Debbie Douglas
Costumer:
Tess Brummitt
Director:
Jorge Montesi
Dominique Othenin-Girard
Director of Photography:
Martin Fuhrer
Dolly Grip:
Derek Grieves
Editor:
Bruce Giesbrecht
Frank Irvine
Executive Producer:
Mace Neufeld
Extras Casting:
James Forsyth
First Assistant "B" Camera:
Douglas Craik
First Assistant Director:
Kelsey T. Howard
Gaffer:
Stephen Jackson
Grip:
Brian Trotto
Gavin B. Craig
Hairstylist:
Roy Sidick
Key Grip:
Dillard Brinson
Local Casting:
Stuart Aikins
Location Manager:
Christine Haebler
Mark Flett
Makeup Supervisor:
Charles Porlier
Music Editor:
Robert Randles
Negative Cutter:
Ginny Parillo
Original Music Composer:
Jonathan Sheffer
Producer:
Harvey Bernhard
Production Coordinator:
Roberta Sheehy
Production Design:
Richard Wilcox
Production Manager:
Michelle MacLaren
Property Buyer:
D.N. Pettipas
Property Master:
Ron Chambley
Prosthetic Designer:
Tibor Farkas
Screenplay:
Brian Taggert
Script Supervisor:
Lara Fox
Second Assistant Camera:
Jim Clare
Second Assistant Director:
Rachel Leiterman
Second Unit Director:
Harvey Bernhard
Set Decoration:
Marti Wright
Set Decoration Buyer:
Peter Lando
Elizabeth Wilcox
Set Dresser:
Anne Power
Sound Editor:
Stuart S. Widdes
Andre Bacha
Donlee Jorgensen
David Byron Lloyd
Sound Mixer:
Larry Sutton
Sound Re-Recording Mixer:
Robert Appere
Ron Estes
Gary D. Rogers
Special Effects Assistant:
Steve Davis
Gordon Jewell
Special Effects Coordinator:
Gary Paller
Steadicam Operator:
Robert Crone
Still Photographer:
Chris Helcermanas-Benge
Story:
Harvey Bernhard
Brian Taggert
Storyboard Artist:
Chris Bartleman
Stunt Coordinator:
Danny Virtue
Supervising Sound Editor:
Howard Neiman
Third Assistant Director:
Julia Done
Trainee Production Coordinator:
Kandis Armstrong
Video Assist Operator:
Rob Parisien
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.