A work in constant progress (and occasional regress).
Alias:
Stefano Ortolani
Stephano Ortolani
Art Direction:
1982 Monsignor
1987 The Sicilian
1988 The Spider Labyrinth
1994 Only You
1999 The Talented Mr. Ripley
2000 Nora
2002 Avenging Angelo
2004 The Life Aquatic with Steve Zissou
2005 Dominion: Prequel to The Exorcist
2009 Bright Star
2010 When in Rome
Assistant Production Design:
1976 The Innocent
1979 Hypochondriac
1979 Mimi
1982 Monsignor
1987 The Sicilian
1988 The Spider Labyrinth
1994 Only You
1999 The Talented Mr. Ripley
2000 Nora
2002 Avenging Angelo
2004 The Life Aquatic with Steve Zissou
2005 Dominion: Prequel to The Exorcist
2009 Bright Star
2010 When in Rome
Production Design:
1976 The Innocent
1979 Hypochondriac
1979 Mimi
1980 Day of the Cobra
1982 Monsignor
1987 The Sicilian
1988 The Spider Labyrinth
1994 Only You
1999 The Talented Mr. Ripley
2000 Nora
2002 Avenging Angelo
2004 Exorcist: The Beginning
2004 The Life Aquatic with Steve Zissou
2005 Dominion: Prequel to The Exorcist
2006 The Nativity Story
2009 Bright Star
2010 When in Rome
2011 The Italian Key
2013 Castello Cavalcanti
2016 Risen
2023 Book Club: The Next Chapter
2024 Per il mio bene
???? The Way of the Wind
Supervising Art Director:
1976 The Innocent
1979 Hypochondriac
1979 Mimi
1980 Day of the Cobra
1982 Monsignor
1987 The Sicilian
1988 The Spider Labyrinth
1994 Only You
1999 The Talented Mr. Ripley
2000 Nora
2002 Avenging Angelo
2002 Gangs of New York
2004 Exorcist: The Beginning
2004 Ocean's Twelve
2004 The Life Aquatic with Steve Zissou
2005 Dominion: Prequel to The Exorcist
2006 The Nativity Story
2009 Bright Star
2010 Letters to Juliet
2010 When in Rome
2011 The Italian Key
2013 Castello Cavalcanti
2016 Risen
2023 Book Club: The Next Chapter
2024 Per il mio bene
???? The Way of the Wind
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.