A work in constant progress (and occasional regress).
Release Date:
August 30, 2002
Original Title:
Avenging Angelo
Alternate Titles:
Avenging Angelo - Die Liebe eines Bodyguard
Mafia Love
Missão Perigosa
Słodka zemsta
ve jmenu angela
为安杰洛复仇
爱人保镖
Genres:
Action | Comedy | Crime
Production Companies:
Cinema Holdings
Dante Entertainment
Epsilon Motion Pictures
Franchise Pictures
Lionweed
Quinta Communications
Warner Bros. Pictures
Production Countries:
France | Switzerland | United States of America
Ratings / Certifications:
DE: 12 IT: T US: R
Runtime: 97
A woman who has recently discovered that she is the daughter of Angelo, a major mafia boss, decides to wreak vengeance when he is killed by a hitman. She's aided by his faithful bodyguard, with whom she soon falls in love.
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Art Direction:
Evan Webber
Stefano Maria Ortolani
Assistant Director:
Peter Stolworthy
Casting:
Karen Margiotta
Mary Margiotta
Co-Producer:
Tracee Stanley
James A. Holt
Maureen Norton
Costume Design:
Denise Cronenberg
Director:
Martyn Burke
Director of Photography:
Ousama Rawi
Editor:
David Codron
Executive Producer:
Andrew Stevens
Kevin King Templeton
Paul Rosenblum
First Assistant Director:
Myron Hoffert
Enrico Mastracchi Manes
Line Producer:
Mike Drake
Marco Valerio Pugini
Original Music Composer:
Bill Conti
Producer:
Elie Samaha
Tarak Ben Ammar
Stanley Wilson
Production Design:
Eric Fraser
Production Manager:
Lyn Lucibello
Massimo Iacobis
Andrew Stevens
Screenplay:
Steve Mackall
Will Aldis
Second Assistant Director:
Mandy Ketcheson
Alessandro Trapani
Second Unit Director:
Branko Racki
Set Decoration:
Jaro Dick
Story:
Will Aldis
Stunt Coordinator:
Giorgio Antonini
Branko Racki
Stunt Double:
John MacDonald
Emiliano Novelli
David Stinson
Kevin Rushton
Stunts:
Robert Racki
Danny Lima
Kym Kristalie
Angelica Lisk-Hann
Matt Birman
Marco Bianco
Eric Bryson
Leigh Bianco
C.J. Lusby
Duncan McLeod
Joseph Racki
Bryan Renfro
Bruno Verdirosi
Third Assistant Director:
Kevin Hourigan
Giovanni Scifo
Unit Manager:
John Verni
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.