A work in constant progress (and occasional regress).
Birthplace:
Chicago, IL
Neal Edelstein is an award-winning independent film producer and director. A native of Chicago, he began his film career in Los Angeles in the early 1990s. In 1997, Edelstein produced David Lynch’s segment in the French film Lumiere and Company, shot with the original Lumiere brothers’ camera. After completion of the film, Edelstein produced The Straight Story and Mulholland Drive. Following Mulholland Drive, Edelstein formed Macari/Edelstein Filmed Entertainment with New Line Cinema executive Mike Macari. Their first project was the successful American remake of the Japanese horror film The Ring. Other credits include the Netflix thriller Fractured, starring Sam Worthington, Disney-distributed The Invisible, and Shelter, starring Julianne Moore.
Co-Executive Producer:
2002 The Ring
2005 The Ring Two
Director:
2002 The Ring
2005 The Ring Two
2013 Haunting Melissa
2014 Dark Hearts
Executive Producer:
2002 The Ring
2005 The Ring Two
2013 Haunting Melissa
2014 Dark Hearts
2017 Rings
Producer:
1995 Lumière & Company
1995 Premonitions Following an Evil Deed
1999 Mulholland Dr.
1999 The Straight Story
2001 Mulholland Drive
2002 The Ring
2005 The Ring Two
2007 The Invisible
2008 Amusement
2010 6 Souls
2013 Haunting Melissa
2014 Dark Hearts
2017 Rings
2017 Temple
2019 Fractured
2022 Night's End
2023 Southern Gospel
???? The Dagon
Story:
1995 Lumière & Company
1995 Premonitions Following an Evil Deed
1999 Mulholland Dr.
1999 The Straight Story
2001 Mulholland Drive
2002 The Ring
2005 The Ring Two
2007 The Invisible
2008 Amusement
2010 6 Souls
2013 Haunting Melissa
2014 Dark Hearts
2017 Rings
2017 Temple
2019 Fractured
2022 Night's End
2023 Southern Gospel
???? The Dagon
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.