A work in constant progress (and occasional regress).
Release Date:
June 6, 2001
Original Title:
Mulholland Drive
Alternate Titles:
Cidade dos Sonhos
El Camino de los Sueños
El camino de los sueños
Malholanda ceļš
Mulholland Dr.
Mulholland Drive
Mulholland Drive - A sötétség útja
Mulholland Çıkmazı
Малголланд Драйв
Малголленд Драйв
Малхолланд Драйв
浮生若梦
멀홀랜드 드라이브
Genres:
Drama | Mystery | Thriller
Production Companies:
Asymmetrical Productions
Les Films Alain Sarde
StudioCanal
Production Countries:
France | United States of America
Ratings / Certifications:
AR: 16 AU: MA15+ BE: KNT/ENA BR: 16 CA: 18A CH: 16 CL: 18 CZ: 15+ DE: 16 DK: 15 ES: 18 FI: K-16 FR: U GB: 15 GR: K-16 HK: III HU: 16 IE: 15 IL: 16 IN: UA IS: 16 IT: T JP: R15+ KR: 18 MX: C NL: 16 NO: 15 PH: R-18 PL: 16 PT: M/16|M/12 RO: 18+ RU: 18+ SE: 15 TR: 16+ TW: 15+ US: R ZA: 18
Runtime: 147
Blonde Betty Elms has only just arrived in Hollywood to become a movie star when she meets an enigmatic brunette with amnesia. Meanwhile, as the two set off to solve the second woman's identity, filmmaker Adam Kesher runs into ominous trouble while casting his latest project.
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2012 #28 |
Critics' Top 100 Poll
Greatest Films of All Time |
2012 #75 |
Directors' Top 100 Poll
Greatest Films of All Time |
ADR Supervisor:
Paul Timothy Carden
Art Direction:
Peter Jamison
Camera Operator:
Paul Hughen
Casting:
Johanna Ray
Casting Assistant:
Jessica Vogl
Casting Associate:
Mary Jane Fendler
Co-Producer:
Joyce Eliason
John Wentworth
Costume Design:
Amy Stofsky
Costume Supervisor:
Lucinda Campbell
Cheri Reed
Director:
David Lynch
Director of Photography:
Peter Deming
Editor:
Mary Sweeney
Executive Producer:
Pierre Edelman
First Assistant Director:
Mark Cotone
Scott Cameron
First Assistant Editor:
Arash Ayrom
Hilary Schroeder
Foley Editor:
Paul Timothy Carden
Foley Recordist:
David Ho
Grip:
Matthew J. Barden
Bruce Carothers
Todd Griffith
Mark Vollmer
Paul Wilkowsky
Hairstylist:
Katherine Rees
Key Hair Stylist:
Patricia Miller
Location Manager:
Julie Duvic
Makeup Artist:
Randy Westgate
Jennifer Aspinall
Makeup Department Head:
Julie L. Pearce
Negative Cutter:
Mo Henry
Original Music Composer:
Angelo Badalamenti
Post Production Supervisor:
Spike Allison Hooper
Producer:
Alain Sarde
Neal Edelstein
Tony Krantz
Michael Polaire
Mary Sweeney
Production Design:
Jack Fisk
Production Sound Mixer:
Ed Novick
Susumu Tokunow
Production Supervisor:
Julie M. Anderson
Script Supervisor:
Cori Glazer
Second Assistant Director:
John T. Churchill
David Fudge
Second Second Assistant Director:
Michael Risoli
Set Decoration:
Barbara Haberecht
Set Designer:
Josh Fifarek
Scott Herbertson
Set Dresser:
Alan Baptiste
Ben Booker
Kinney Booker
Chris Fielding
Keith Sale
Samuel J. Tell
Sound Designer:
David Lynch
Sound Re-Recording Mixer:
David Lynch
Ronald Eng
Patrick Giraudi
John Neff
Special Effects Coordinator:
Gary D'Amico
Chiz Hasegawa
Special Effects Makeup Artist:
Howard Berger
Special Effects Manager:
Philip Bartko
David Domeyer
Special Effects Supervisor:
Jason Collins
Steadicam Operator:
Dan Kneece
Still Photographer:
Melissa Moseley
Stunt Coordinator:
Charles Croughwell
Stunt Double:
Laura Lee Connery
Denney Pierce
Stunts:
Joni Avery
Brian Avery
Jack Carpenter
Corey Michael Eubanks
Jeremy Fitzgerald
Samuel Le
Janie Liszewski
William Morts
Gail Luane Munian
Dana Reed
Scott Sproule
Sonny Tipton
Supervising Sound Editor:
Ronald Eng
Transportation Captain:
Marlo Hellerstein
Mike Riportella
Transportation Coordinator:
Allan Yamauchi
Unit Production Manager:
Michael Polaire
Visual Effects Supervisor:
Scott Billups
Writer:
David Lynch
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.