A work in constant progress (and occasional regress).
Release Date:
October 9, 2008
Original Title:
Amusement
Alternate Titles:
Amusement - Giochi pericolosi
Amuzament
Diversión Mortal
Diversão Macabra
Diversão Mortal
El Juego del Mal
Hra na utrpenie
Hra na utrpení
I anatrihiastiki hara tou dolofonou
Sargarmi
Siniestro - Diversion mortal
Szórakozás
Śmierć się śmieje
Развлечение
Genres:
Horror | Mystery
Production Companies:
Macari/Edelstein
New Line Cinema
Picturehouse Entertainment
Production Countries:
United States of America
Ratings / Certifications:
DE: 18 GB: 18 JP: R18+ TH: M US: R
Runtime: 85
While being interrogated by a police psychiatrist, the near-catatonic Tabitha tries to explain why she and two of her childhood friends are being hunted by a serial killer. The truth that's dying to come out weaves together three tragic secrets from their past. Two of the girls' boyfriends become unwitting targets in their deadly game.
Additional Camera:
Michael Pinkey
Art Department Coordinator:
Szilvia Paros
Art Direction:
Bence Erdélyi
Mihály Molnár
Assistant Camera:
Ádám Wallner
Assistant Costume Designer:
Mónika Matyi
Assistant Editor:
Gyula István Mózes
Camera Operator:
László Bille
Casting:
Johanna Ray
Casting Associate:
Jenny Jue
Color Timer:
Harry Muller
Colorist:
Mace Johnson
Janó Fekete
Compositor:
Tim Fescoe
Construction Coordinator:
Péter Kovács
Construction Manager:
László Nagyidai Jr.
Zsolt Sajgó
Costume Design:
Andrea Flesch
Dialogue Editor:
Paul Hackner
Digital Compositor:
Daniel Birnbaum
Daniel Molina
Digital Effects Supervisor:
Marco Recuay
Digital Intermediate Colorist:
Mike Sowa
Director:
John Simpson
Director of Photography:
Mark Garrett
Dolly Grip:
Craig Cooper
Draughtsman:
Zsuzsa Kismarty-Lechner
Dresser:
Mari Csáki
Editor:
David Handman
Chris G. Willingham
Effects Supervisor:
Lindsay MacGowan
Electrician:
'Kis Gromek' László Molnár
Attila Bogyai
Extras Casting:
Tamás Kertész
First Assistant Camera:
György Horváth
First Assistant Director:
Gábor Gajdos
First Assistant Editor:
Christopher Johnston
Focus Puller:
György Vesztergombi
Foley:
Anita Cannella
Amy Kane
Greensman:
Gergely Kajdi
Hair Department Head:
KG Ramsey
Key Grip:
János Kiss
Key Makeup Artist:
Hildegard Haide
Location Manager:
Gábor Ujházy
Makeup Artist:
Éva Kozma
Music Editor:
Johnny Caruso
Negative Cutter:
Gary Burritt
Original Music Composer:
Marco Beltrami
Picture Car Coordinator:
Sandor Tabanyi
Producer:
Mike Macari
Neal Edelstein
Production Design:
Craig Stearns
Production Manager:
Miklós Tóth
Production Supervisor:
Matthew Spiegel
Property Master:
Gábor Posevitz
Publicist:
Larry Garrison
Pyrotechnic Supervisor:
Gyula Krasnyánszky
Pyrotechnician:
Norbert Orosz
István Gittinger
László Pintér
Rigging Gaffer:
Zsolt Büti
Script Supervisor:
Gabriella Winkler
Second Assistant Camera:
Zoltán Dzsupin
Set Dresser:
Péter Koronghy
Marton Szalay
Sound Effects Editor:
Bryan O. Watkins
Sound Re-Recording Mixer:
Gary Gegan
Special Effects Assistant:
Veronika Dobos
Special Effects Coordinator:
David Waine
Special Effects Technician:
Lino Stavole
Damian Fisher
Still Photographer:
Doane Gregory
Studio Teachers:
Tom Goodrich
Stunt Coordinator:
Rob King
Stunts:
Shauna Duggins
Supervising Sound Editor:
Mark Larry
Transportation Coordinator:
James Lowder
Zsolt Somogyi
Video Assist Operator:
Balázs Várszegi
Péter 'Tiger' Rácz
Visual Effects:
Matt Hennessy
Csaba Nemesházi
Morgan McDermott
Visual Effects Coordinator:
John Joyce
Visual Effects Producer:
Greg Baxter
Corinne Pooler
Visual Effects Supervisor:
Michael Joyce
Ariel Velasco-Shaw
Jerry Pooler
Writer:
Jake Wade Wall
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.