A work in constant progress (and occasional regress).
Release Date:
March 1, 2001
Original Title:
The Mexican
Alternate Titles:
Le Mexicain
Mexican - Eine heiße Liebe
O mexikanos
مکزیکی
ザ・メキシカン:2001
Genres:
Action | Comedy | Crime | Romance
Production Companies:
DreamWorks Pictures
Lawrence Bender Productions
Newmarket Films
Pistolero Productions
Production Countries:
United States of America
Ratings / Certifications:
AU: M BR: 12 CZ: 12+ DE: 12 DK: 15 FR: U GB: 15 GR: 13 HU: 18 IE: 15 KR: 15 NO: 15 PL: 18 PT: M/12 RO: 18 SE: 11 US: R
Runtime: 123
Jerry Welbach, a reluctant bagman, has been given two ultimatums: The first is from his mob boss to travel to Mexico and retrieve a priceless antique pistol, known as "the Mexican"... or suffer the consequences. The second is from his girlfriend Samantha to end his association with the mob. Jerry figures alive and in trouble with Samantha is better than the more permanent alternative, so he heads south of the border.
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Art Direction:
Michael Atwell
Casting Director:
Denise Chamian
Co-Producer:
Paul Hellerman
William S. Beasley
Compositing Artist:
Erik Winquist
Costume Design:
Colleen Atwood
Director:
Gore Verbinski
Director of Photography:
Dariusz Wolski
Editor:
Craig Wood
Executive Producer:
Aaron Ryder
Christopher Ball
William Tyrer
J. H. Wyman
First Assistant "B" Camera:
Daniel Moder
Gaffer:
Rafael E. Sánchez
Key Hair Stylist:
Mary L. Hart-Mastro
Key Makeup Artist:
Jean Ann Black
Music Editor:
Jacqueline Tager
Kenneth Karman
Original Music Composer:
Alan Silvestri
Post Production Supervisor:
Erica Frauman
Producer:
John Baldecchi
Lawrence Bender
Production Design:
Cecilia Montiel
Production Supervisor:
Sharyn Shimada-Huggins
Script Supervisor:
Cate Hardman
Set Decoration:
Robert Greenfield
Sound Designer:
Tom Myers
Special Effects Coordinator:
Matt Kutcher
Stunt Coordinator:
Seth Arnett
M. James Arnett
Stunt Double:
David Leitch
Supervising Sound Editor:
Tim Holland
Visual Effects Producer:
Kymber Lim
Jason Heapy
Visual Effects Supervisor:
Richard Chuang
Alex Frisch
Writer:
J. H. Wyman
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.