A work in constant progress (and occasional regress).
Alias:
Emily Jean Stone
Emily Stone
Riley Stone
Έμιλι Τζιν Στόουν
Έμμα Στόουν
Эмили Стоун
اما استون
اِما استون
艾瑪史東
Birthplace:
Scottsdale, Arizona, USA
Born:
November 6, 1988
Emily Jean "Emma" Stone (born November 6, 1988) is an American actress and producer. Her accolades include two Academy Awards, two British Academy Film Awards, and two Golden Globe Awards. In 2017, she was the world's highest-paid actress and was named by Time magazine as one of the 100 most influential people in the world. Stone began acting as a child in a theatre production of The Wind in the Willows in 2000. As a teenager, she relocated to Los Angeles. She debuted television in In Search of the New Partridge Family (2004). This reality show produced only an unsold pilot. After minor television roles, she appeared in a series of well-received teen comedy films, such as Superbad (2007), Zombieland (2009), and Easy A (2010), which was Stone's first leading role. Following this breakthrough, she starred in the romantic comedy Crazy, Stupid, Love (2011) and the period drama The Help (2011). She gained wider recognition as Gwen Stacy in the 2012 superhero film The Amazing Spider-Man and its 2014 sequel. Stone received nominations for the Academy Award for Best Supporting Actress for playing a recovering drug addict in Birdman (2014) and Abigail Masham in The Favourite (2018). The latter marked her first of many collaborations with director Yorgos Lanthimos. She won two Academy Awards for Best Actress for her roles as an aspiring actress in the romantic musical La La Land (2016) and a resurrected suicide victim in Lanthimos' comic fantasy Poor Things (2023). She also portrayed tennis player Billie Jean King in Battle of the Sexes (2017) and the title role in Cruella (2021). She starred in the dark comedy miniseries Maniac (2018) and The Curse (2023) on television. On Broadway, Stone starred as Sally Bowles in a revival of the musical Cabaret (2014–2015). She and her husband, Dave McCary, founded the production company Fruit Tree in 2020, under which they have produced the films Problemista (2023), I Saw the TV Glow, and A Real Pain (both 2024). Description above from the Wikipedia article Emma Stone, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Executive Producer:
2021 Cruella
???? Cruella 2
???? Little White Corvette
Producer:
2021 Cruella
2023 Poor Things
2023 When You Finish Saving the World
2024 A Real Pain
2024 I Saw the TV Glow
2024 Problemista
2025 Bugonia
???? Checkmate
???? Cruella 2
???? Little White Corvette
???? Untitled Dea Kulumbegashvili Film
???? Untitled Jesse Eisenberg Musical Comedy
???? Untitled Raunchy Teen Comedy
Executive Producer:
2018 Maniac
2023 The Curse
2024 Fantasmas
???? The Yogurt Shop Murders
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.