A work in constant progress (and occasional regress).
Release Date:
May 30, 2024
Original Title:
Kinds of Kindness
Alternate Titles:
A kegyelem fajtái
AND
Histórias de Bondade
Merhamet Hikayeleri
Rodzaje życzliwości
Tipos de Gentileza
Tipos de gentileza
Ιστορίες Καλοσύνης
Виды доброты
Բարության տեսակները
善种
憐れみの3章
憐憫的種類
Genres:
Comedy | Drama
Production Companies:
Element Pictures
Film4 Productions
Limp
Searchlight Pictures
TSG Entertainment
Production Countries:
Ireland | United Kingdom | United States of America
Ratings / Certifications:
AR: +18 AT: 16 AU: MA 15+ BE: 18 BG: X BR: 18 CA: R CH: 16 CL: 18 CZ: 15+|18+ DE: 16 DK: 15 ES: 16|18 FI: K-16|K-18 FR: 16 GB: 18 GR: K18 HK: III HU: 18 IE: 18 IL: 16|18 IN: A IT: 14+|18+ JP: R15+ KR: 19 LT: N-16|N-18 LU: 18 LV: 18+ MX: C NL: 16 NO: 15|18 NZ: R16 PL: 16|18 PR: R PT: M/18 RO: 18 SE: 15 SG: R21 SK: 18 TH: 18 TR: 18+ TW: 18+ UA: 18+ US: R VI: R
Runtime: 164
A triptych fable following a man without choice who tries to take control of his own life; a policeman who is alarmed that his wife who was missing-at-sea has returned and seems a different person; and a woman determined to find a specific someone with a special ability, who is destined to become a prodigious spiritual leader.
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"B" Camera Operator:
Steve Acheson
Additional Hairstylist:
Chantelle Calmes
Lynnmarie Hackbart
Ager/Dyer:
Julie Ebel
Animal Wrangler:
Steven Barney
Art Department Coordinator:
Susan Smits
Art Department Production Assistant:
Addie Elisabeth Thibodeaux
Art Direction:
Chris Cornwell
Assistant Art Director:
Andrew Carnwath
Assistant Costume Designer:
Alyson Wegner
Assistant Editor:
Che Panoussopoulos
Assistant Production Coordinator:
Mark Druhet
Assistant Property Master:
Dan Maughiman
Best Boy Electric:
Reuben Wilder
Best Boy Grip:
Keegan Larson
Boom Operator:
Betsy Lindell
Casting:
Dixie Chassay
Meagan Lewis
Theresa Hernandez
Casting Assistant:
Nancy Case
Casting Associate:
Lucy Jordan
Colorist:
Greg Fisher
Costume Coordinator:
Chris Nausley
Costume Design:
Jennifer Johnson
Costume Supervisor:
Lee Kyle
Dialogue Editor:
Joe Mount
Director:
Yorgos Lanthimos
Director of Photography:
Robbie Ryan
Editor:
Yorgos Mavropsaridis
Electrician:
Lawrence Bayer
Executive Producer:
Daniel Battsek
Ollie Madden
Louise Lovegrove
Extras Casting:
Charlotte Gale
Brent Caballero
First Assistant "A" Camera:
Olga Abramson
First Assistant "B" Camera:
Justin Cooley
First Assistant Director:
Hayley Williams
First Assistant Sound Editor:
Simon Carroll
Foley Artist:
Jacek Wiśniewski
Bartosz Mazur
Foley Editor:
Natalia Lubowiecka
Kamil Kwiatkowski
Ewa Mazurkiewicz
Dawid Konecki
Foley Mixer:
Michał Wilczewski
Beata Klimaszewska
Filip Stefanowski
Gaffer:
Sergio Villegas
Graphic Designer:
Vasilis Marmatakis
Grip:
Kevin Fannon
Devin Howard
Allan Colley
Christian Ghera
Hair Department Head:
Jennifer Serio
Key Grip:
Sean Devine
Key Hair Stylist:
Gabrielle Burns
Key Makeup Artist:
Eva Lohse
Key Rigging Grip:
Nicholas Santos
Leadman:
Michael O'Sullivan
Location Manager:
Nick Thomas
Location Scout:
Tyler Hohmann
Makeup Artist:
Paige Reeves
Mia Goff
Navis Hill
Makeup Department Head:
Jessica Needham
Marine Coordinator:
Nick Spetsiotis
Music Supervisor:
Joe Rice
Anne Booty
On Set Dresser:
Tatum Beck
Original Music Composer:
Jerskin Fendrix
Other:
Hanna Hall
Post Production Supervisor:
Deborah Harding
Producer:
Ed Guiney
Andrew Lowe
Kasia Malipan
Yorgos Lanthimos
Production Assistant:
Christian M. Letellier
Production Coordinator:
Laura Calgani
Production Design:
Anthony Gasparro
Property Master:
Schuyler Telleen
Rigging Gaffer:
Guy Broussard
Russell Beard
Script Supervisor:
Sandy Parker
Seamstress:
Amy Darden Amos
Second Assistant "A" Camera:
Benedict Baldauff
Second Assistant "B" Camera:
Jack Khorram
Second Assistant Director:
Alexander Armero
Second Second Assistant Director:
Eleni Micha Fleming
Set Costumer:
Darolyn Robertson
Vanessa Lacy
Set Decorating Coordinator:
Cristina Morganti
Set Decoration:
Amy Beth Silver
Set Decoration Buyer:
Jill Broadfoot
Set Designer:
Aimee Huber
Set Dresser:
William Heffker
Travis C. Acosta
Chris Grimes
Danny Maes
Chris O'Sullivan
Jason Portera
Katie Peters
Ryan Walsh
Beau Coulon
Marybeth O'Connor
Sound Assistant:
Beresford Cookman
Sound Designer:
Johnnie Burn
Sound Effects Editor:
Brendan Feeney
Max Behrens
Sound Mix Technician:
Ashley Smith
Sound Mixer:
Phillip Bladh
Sound Re-Recording Mixer:
Johnnie Burn
Special Effects:
Paul Ferretti
Special Effects Coordinator:
Justin B. Johnson
Donnie Dean
Special Effects Makeup Artist:
Adam Bailey
Mark Garbarino
Special Effects Supervisor:
Matt Kutcher
Special Effects Technician:
Erdwin J. Clausen Jr.
Still Photographer:
Atsushi Nishijima
Stunt Coordinator:
Tim Bell
Stunts:
Jason Armit
Hunter Baxley
Silas Borelly
Amanda Bradley
Sean Paul Braud
Chris Bryant
Joe Dryden
Mike Endoso
Sarah Fisher
Eric Stratemeier
Paul V. Fraser, III
Michael W. Hoban
Brooklyn Proctor
Elena Sanchez
Josh Ermon
Supervising Sound Editor:
Johnnie Burn
Tailor:
Alan Herrera
Title Designer:
Matt Curtis
Vasilis Marmatakis
Translator:
Kyriacos Karseras
Truck Costumer:
Alcee Stoller
Underwater Director of Photography:
Peter Zuccarini
Unit Production Manager:
Steven Weisman
Utility Sound:
Michaela Girouard
Visual Effects Producer:
Bhumika Mayer
Visual Effects Supervisor:
Sebastian Barker
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.