A work in constant progress (and occasional regress).
Release Date:
March 15, 2002
Original Title:
Resident Evil
Alternate Titles:
Biohazard
El huésped maldito
Obitel' zla
Oselya zla
Pritajeno zlo
Resident Evil
Resident Evil the Movie
Resident Evil: Genesis
Resident Evil: Ground Zero
Răul rezident
Zarazno zlo
生化危机1
生化危機1:變種生還者
레지던트 이블 1
Genres:
Action | Horror | Science Fiction
Production Companies:
Constantin Film
Davis Films
Impact Pictures
New Legacy Film
Production Countries:
Canada | France | Germany | United Kingdom
Ratings / Certifications:
AU: MA15+ BE: 18 BR: 16 CH: 16 CZ: 15+ DE: 16 DK: 15 ES: 18 FI: K-18 FR: 16 GB: 15 HU: 18 IE: 15 IT: VM14 KR: 18 NL: 18|16 NO: 15 PL: 18 PT: M/16 RO: 14 RU: 18+ SE: 15 US: R
Runtime: 100
When a virus leaks from a top-secret facility, turning all resident researchers into ravenous zombies and their lab animals into mutated hounds from hell, the government sends in an elite military task force to contain the outbreak.
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3D Supervisor:
Phil Bignell
ADR Editor:
Matt Grimes
ADR Mixer:
Peter Gleaves
ADR Recordist:
Matthew Skelding
ADR Supervisor:
Bjørn Ole Schroeder
ADR Voice Casting:
Louis Elman
Additional Music:
Tom Holkenborg
Additional Wardrobe Assistant:
Liza Brzonskalla
Animation:
James Furlong
Vlad Holst
Peter McDonald
Nic Nicholas
Simon Payne
Animatronic and Prosthetic Effects:
Pauline Fowler
Martin Gaskell
Animatronics Designer:
Chris Coxon
Art Department Coordinator:
Ingeborg Heinemann
Art Department Manager:
Astrid Kühberger
Art Direction:
Jörg Baumgarten
Assistant Accountant:
Sonja Mecke
Hannes Patry
Anna Schmigalla
Assistant Art Director:
Anete Conrad
Assistant Electrician:
Rainer Winkler
Assistant Location Manager:
David Bergendahl
Assistant Makeup Artist:
Almut Gramer
Assistant Production Coordinator:
Kerstin Biermann
Associate Producer:
Mike Gabrawy
Best Boy Electric:
Udo Kowalczyk
Boom Operator:
Alois Unger
Camera Operator:
David Johnson
Carpenter:
Philipp Hübner
Casting:
Robyn Ray
Suzanne Smith
Casting Assistant:
Natasha Ockrent
Choreographer:
Warnar Van Eeden
Clapper Loader:
Stefan Grandinetti
Co-Producer:
Chris Symes
Color Timer:
Andreas Lautil
Compositing Artist:
John Hardwick
Matt Kasmir
Scott Marriott
Steve Tizzard
Construction Coordinator:
Ulf Sturhann
Contact Lens Technician:
Jemma Scott-Knox-Gore
Costume Assistant:
Claudia Maria Braun
Elke Freitag
Sparka Lee Hall
Astrid Lafos
Anette Tirler
Costume Design:
Richard Bridgland
Dialogue Coach:
Ernestine Kahn
Director:
Paul W. S. Anderson
Director of Photography:
David Johnson
Dolby Consultant:
Norbert Zich
Draughtsman:
Philip Elton
Dressing Prop:
Ludolf Böhm
Driver:
Susen Jarmuske
Editor:
Alexander Berner
Electrician:
David Reppen
Executive Assistant:
Robin von der Leyen
Executive Producer:
Victor Hadida
Daniel S. Kletzky
Robert Kulzer
Yoshiki Okamoto
Extras Casting:
Iris Müller
First Assistant Camera:
Adam Quinn
First Assistant Director:
Jan Sebastian Ballhaus
First Assistant Editor:
Franziska Schmidt-Kärner
Focus Puller:
Christian Almesberger
Foley Artist:
Joo Fürst
Foley Editor:
Noemi Hampel
Foley Mixer:
Philipp Sellier
Foley Supervisor:
Lisa Geffcken-Reinhard
Gaffer:
Edgar Auell
Grip:
Glenn König
Hairstylist:
Björn Rehbein
Friderike Roessler
Valeska Schitthelm
Head of Production:
Rachael Penfold
Key Grip:
Dieter Bähr
Key Makeup Artist:
Hasso von Hugo
Leadman:
Philipp Hübner
Line Producer:
Albert Botha
Location Scout:
Marion Gerhardt
Makeup Artist:
Christina Smith
Makeup Effects:
Andy Garner
Music Consultant:
Georg Naschke
Music Supervisor:
Liz Gallacher
Negative Cutter:
Patricia Ferbeck
Renate Siegl
Sandra Stier
Original Music Composer:
Marco Beltrami
Marilyn Manson
Original Story:
Shinji Mikami
Playback Coordinator:
Kris Wood
Post Production Coordinator:
Isabel Prochnow
Post Production Supervisor:
Christine Jahn
Producer:
Paul W. S. Anderson
Jeremy Bolt
Bernd Eichinger
Samuel Hadida
Production Accountant:
Helga Ploiner
Production Coordinator:
Sammi Davis
Production Design:
Richard Bridgland
Production Driver:
Joerg Kraft
Production Executive:
Christine Rothe
Production Illustrator:
Ravi Bansal
Production Manager:
Muriel Gérard
Production Office Assistant:
Mirjam Weber
Production Runner:
Zulfiquar Rahman
Production Secretary:
Susann Pataki
Property Master:
Danny Hunter
Prosthetics:
Barrie Gower
Researcher:
Ian Frost
Script Supervisor:
Caroline Sax
Sculptor:
Colin Jackman
Second Assistant Director:
Simon Emanuel
Second Unit Director:
Bharat Nalluri
Senior Animator:
Mark Hodgkins
Penny Leyton
Virgil Manning
Dusan Strugar
Rachel Ward
Set Decoration:
Penny Crawford
Set Medic:
Frank Guhn
Set Runner:
Toska Hartmann
Software Engineer:
John Charles
Sound Designer:
Marco Raab
Sound Editor:
Frank Casaretto
Sound Mixer:
Roland Winke
Sound Re-Recording Mixer:
Michael Kranz
Special Effects Assistant:
Sylvio Lienert
Special Effects Coordinator:
Gerd Nefzer
Special Effects Supervisor:
Gerd Nefzer
Special Effects Technician:
Volker Lorig
Standby Rigger:
Thomas Heyn
Steadicam Operator:
Jörg Widmer
Still Photographer:
Rolf Konow
Storyboard Artist:
Martin Asbury
Stunt Coordinator:
Volkhart Buff
Stunts:
Katrin Schrake
Babette Schimanek
Katja Richter
Jana Herrmann
Silke Böttcher
René Bellmann
Katja Jerabek
Supervising Art Director:
Tony Reading
Supervising Sound Editor:
Stefan Busch
Swing:
Joao Gonzaga Silveira
Technical Supervisor:
John Kurlander
Third Assistant Director:
Paul Goldsmith
Unit Manager:
Esther Fischer
Unit Production Manager:
Silvia Tollmann
Unit Publicist:
Francois Frey
Nicola zu Stolberg
Visual Effects Coordinator:
Muriel Gérard
Visual Effects Editor:
Paul Elman
Tabitha Dean
Visual Effects Producer:
Richard Yuricich
Writer:
Paul W. S. Anderson
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.