A work in constant progress (and occasional regress).
Alias:
Camila Espinosa
Born:
October 21, 1998
Camila is an audio engineer with a specialization in sound design for visual media. She also has more than 10 years of experience as a video editor, with a background in music videos and short films. Her biggest passion is storytelling. She believe that, as humans, it is one of the most important things we do. She's been in love with stories her whole life, and she love to find new ways to tell them, whether it is with video, sound, or both!
ADR Editor:
2024 The House She Left
???? Omega-Pharm
ADR Recordist:
2024 The House She Left
???? Omega-Pharm
Atmos Editor:
2024 The House She Left
???? Omega-Pharm
Boom Operator:
2024 A Tale of Favorite Books
2024 Avarice
2024 LUMINI
2024 The House She Left
???? Omega-Pharm
Foley Editor:
2024 A Tale of Favorite Books
2024 Avarice
2024 LUMINI
2024 The House She Left
???? Omega-Pharm
Foley Recordist:
2024 A Tale of Favorite Books
2024 Avarice
2024 LUMINI
2024 The House She Left
???? Omega-Pharm
Music Editor:
2024 A Tale of Favorite Books
2024 Avarice
2024 LUMINI
2024 The House She Left
???? Omega-Pharm
???? Runway Kill
Sound:
2024 A Tale of Favorite Books
2024 Avarice
2024 LUMINI
2024 The House She Left
???? A long way from the ziggurat
???? Omega-Pharm
???? Runway Kill
???? Two Mobsters and a Fish
Sound Designer:
2024 A Tale of Favorite Books
2024 Avarice
2024 LUMINI
2024 The House She Left
???? A long way from the ziggurat
???? Omega-Pharm
???? Runway Kill
???? Two Mobsters and a Fish
Sound Director:
2024 A Tale of Favorite Books
2024 Avarice
2024 Dream Universe Hotel
2024 LUMINI
2024 The House She Left
???? A long way from the ziggurat
???? Omega-Pharm
???? Runway Kill
???? Two Mobsters and a Fish
Sound Editor:
2024 A Tale of Favorite Books
2024 Avarice
2024 Dream Universe Hotel
2024 Kiss Me in the Dark
2024 LUMINI
2024 The House She Left
???? A long way from the ziggurat
???? Omega-Pharm
???? Runway Kill
???? Two Mobsters and a Fish
Sound Effects Editor:
2024 A Tale of Favorite Books
2024 Avarice
2024 Dream Universe Hotel
2024 Kiss Me in the Dark
2024 LUMINI
2024 The House She Left
???? A long way from the ziggurat
???? Omega-Pharm
???? Runway Kill
???? Two Mobsters and a Fish
Sound Mixer:
2024 A Tale of Favorite Books
2024 Avarice
2024 Dream Universe Hotel
2024 Kiss Me in the Dark
2024 LUMINI
2024 The House She Left
???? A long way from the ziggurat
???? Life Sucks
???? Omega-Pharm
???? Runway Kill
???? The Scene
???? Two Mobsters and a Fish
Sound Re-Recording Mixer:
2024 A Tale of Favorite Books
2024 Avarice
2024 Dream Universe Hotel
2024 Kiss Me in the Dark
2024 LUMINI
2024 The House She Left
???? A long way from the ziggurat
???? Life Sucks
???? Omega-Pharm
???? Runway Kill
???? The Scene
???? Two Mobsters and a Fish
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.