A work in constant progress (and occasional regress).
Release Date:
December 12, 2024
Original Title:
LUMINI
Genres:
Drama | Science Fiction
Ratings / Certifications:
N/A
Runtime: 11
A dystopian drama set in a near-future where society has become isolated and the world is a decaying wasteland, a reclusive man is forced to venture outside for the first time when a massive electrical breakdown cuts him off from his virtual life and his online girlfriend, leading him to confront the harsh realities and unexpected humanity of the world beyond his screens.
Art Direction:
Ben Jones
Assistant Editor:
Taiichiro Ono
BTS Photographer:
Jackson Proud
Boom Operator:
José Angel Piña
Camila Espinosa De Los Monteros
Camera Operator:
Diego Barradas Tovar
Cinematography:
João Marcos Sperber de Lima
Colorist:
Ethan Tran
Costume Design:
Andrés Maerker
Data Management Technician:
Taiichiro Ono
Director:
Matheus Mafra
Dolly Grip:
Aman Batta
Editor:
Chenhao Liu
Executive Producer:
João Marcos Sperber de Lima
First Assistant Camera:
Arturo Roa Losada
First Assistant Director:
Rafael Felipe Saavedra Acuna
Foley Recordist:
Carlos Ruiz
Gaffer:
Hasnain Czar
Graphic Designer:
Ben Jones
Chenhao Liu
Rafael Felipe Saavedra Acuna
J.V. Hernandez
Grip:
Tristan Houston
Ethan Tran
Key Grip:
Ryan Philippides
Line Producer:
Felipe Betrano
Makeup & Hair:
Tuscany Lane
Makeup & Hair Assistant:
Charlie Buckingham
Music Score Producer:
Dan Bariani
Playback Coordinator:
Ben Jones
Producer:
Roland Lin
Production Design:
Hila Elyasi
Production Manager:
Abel Bañuelos
Prop Designer:
Hila Elyasi
Script Supervisor:
Luis Enrique Jiménez
Second Assistant Camera:
Ema Matsushita
Second Assistant Director:
Sofia Arango Zapata
Set Decoration:
Rose Chen
Sound Designer:
José Angel Piña
Camila Espinosa De Los Monteros
VFX Artist:
Taiichiro Ono
VFX Supervisor:
Malik Yildiz
Writer:
Matheus Mafra
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.