A work in constant progress (and occasional regress).
Release Date:
October 22, 2024
Original Title:
Dream Universe Hotel
Ratings / Certifications:
N/A
Melissa is a woman unable to face an internal sadness and immense loss who stumbles upon a hotel: a mysterious and sinister place that causes odd and visceral dreams, often of an oddly familiar red door. Through these dreams Melissa encounters her deceased sister in the eerie corridors of the hotel, in which she is forced to face her sister's death and confront their traumatic childhood. As Melissa's dreams and reality become more and more convoluted, she must make a decision of whether to accept her trauma, or to continue to live in denial.
Art Department Production Assistant:
Isabel Bidlofsky
Julia Weir
Art Direction:
Nina Razzeghzadeh
Assistant Editor:
Cameron Bodkin
Boom Operator:
Andres Valero
CGI Director:
Fernanda Meneno
Camera Operator:
Hervin Escalante
Cinematography:
Nicole Chen
Colorist:
Adrian Kurbegovic
Construction Foreman:
Hervin Escalante
Costume Design:
Sofia Cameron
Director:
Clara Coelho
Dolly Grip:
Yakob El-Moussa
Editor:
Ato Ngamluksameekhae
First Assistant Camera:
Adrian Kurbegovic
First Assistant Director:
Charlie Lemay-Thivierge
Gaffer:
Ashé Sabongui
Grip:
Cole McPherson
Tatiana Sarmiento
Hairstylist:
Zo Decker
Key Grip:
Adam Genuis
Music:
Felipe Rodriguez
Producer:
Maria Beatriz do Amaral
Production Designer:
Abby Kolman
Second Assistant Camera:
Farah Khalil
Second Assistant Director:
Jeffrey Roelofse
Set Decoration:
Jelena Allen-Chow
Abby Kolman
Smoke Artist:
Pablo Ortiz Mucharraz
Sound:
Angus Wallace
Sound Director:
Camila Espinosa De Los Monteros
Sound Editor:
José Angel Piña
Visual Effects Designer:
Alan Riveira
Visual Effects Supervisor:
Colton Ferber
Writer:
Clara Coelho
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.