A work in constant progress (and occasional regress).
Alias:
John Smeallie Youngs
جان سوج
Birthplace:
Old Bethpage, New York, USA
Born:
August 25, 1949
John Savage (born John Youngs; August 25, 1949) is an American film actor, producer, production manager, and composer. Savage has appeared in more than 200 feature films, short films, recurring roles in television series and guest appearances in episodes of television series. One of Savage's first notable roles is as Claude Bukowski in the 1979 film Hair. His first major film role was as Steven Pushkov in the multiple Oscar-winning 1978 film The Deer Hunter. He also had a lead role in the 1979 film The Onion Field. In the late 1970s, he performed in the Broadway production of David Mamet's play American Buffalo. In 1991, he starred in Italian director Lucio Fulci's final film Door to Silence. He then had a brief role in the 1998 war film The Thin Red Line, portrayed Captain Ransom in the two part episode Equinox of the television series Star Trek: Voyager in 1999, and appeared in the recurring role of Donald Lydecker in the first and second seasons of the 2000 television series Dark Angel. Savage starred in the 2015 horror film Tales of Halloween, the 2017 film In Dubious Battle, and on the 2017 continuation of the television show Twin Peaks. In 2018, he appeared on the television show Goliath. In 2018, Savage lent his voice to a monologue on the title track of the album This Town by Steve Smith of Dirty Vegas. In 2019, Savage played the role of The Narrator in upcoming fantasy crime drama Karma from award-winning filmmaker Bizhan Tong, having collaborated with him earlier that year.
Original Music Composer:
1974 The Sister in Law
Thanks:
1974 The Sister in Law
2019 Nice Girls Don't Stay for Breakfast
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.