A work in constant progress (and occasional regress).
Release Date:
July 25, 2000
Original Title:
They Nest
Alternate Titles:
Creepy Crawlers
Eclosion
Están dentro
傾巢而出
Genres:
Horror | Science Fiction | TV Movie
Production Companies:
The Kushner-Locke Company
USA Network
Production Countries:
United States of America
Ratings / Certifications:
DE: 16 US: PG-13
Runtime: 92
After freezing up under pressure in the emergency room, Dr. Cahill decides to spend a few months unwinding on a little Maine island where he immediately gets off on the wrong foot with the locals. Meanwhile, a body has washed up on shore infested with a strange type of carnivorous cockroach. But when Dr. Cahill tries to warn the townsfolk of the danger, they are naturally skeptical. Will they realize the truth before it's too late?
ADR Editor:
David Beadle
Larry Goeb
Helen Luttrell
ADR Mixer:
Stacey Michaels
Art Direction:
Rose Mihalyi
Assistant Accountant:
Dodi Evanenko
Assistant Costume Designer:
Michaela Fitzpatrick
Assistant Editor:
Johanna Groepl
Assistant Location Manager:
Glenn Thomas Thompson
Assistant Production Coordinator:
Michelle 'Micky' Fell
Andrea Sunderland
Assistant Property Master:
Troy Eirich
Associate Producer:
Teresa Garber
Best Boy Electric:
Sean Rosseau
Boom Operator:
Martin Mitchell
Camera Operator:
John Banovich
Nathaniel Massey
Camera Trainee:
Ryan McNair
Casting Assistant:
Darren Iles
Color Timer:
Bob Fredrickson
Construction Coordinator:
Kevin Stephens
Construction Foreman:
Brett Warren
Costume Design:
Candace Cruikshank
Costume Set Supervisor:
Charron Hume
Costumer:
Lara Davis
Ange Cruikshank
Dialogue Editor:
David Beadle
Larry Goeb
Helen Luttrell
Director:
Ellory Elkayem
Director of Photography:
Philip Linzey
Dolly Grip:
Martin Udo Haas
Editor:
Harry Hitner
Electrician:
Cameron Waldie
James McMurachy
Executive Producer:
Eric d'Arbeloff
Donald Kushner
Peter Locke
Extras Casting:
Judy Blair
First Assistant Camera:
Jiri Kucera
First Assistant Director:
John Hockridge
First Assistant Hairstylist:
Vittorio Palmisani
First Assistant Makeup Artist:
Sylvie Godin
Foley Artist:
Dale W. Perry
Foley Mixer:
Gus Medina
Gaffer:
David S. Warner
Jarrod Tiffin
Greensman:
David A. Lewis
Grip:
Kevin Pietrzak
Key Grip:
John Spencer-Phillips
Key Hair Stylist:
Malcolm B. Marsden
Lead Set Dresser:
Carrie Hull
Location Manager:
Jamie Lake
Music:
Vinny Golia
Music Editor:
Wayne Peet
Post Production Coordinator:
Todd Powers
Producer:
Frank Hildebrand
Production Accountant:
Melissa Ruffle
Production Coordinator:
Boris Ivanov
Production Design:
James Cordeiro
Production Manager:
Simon Abbott
Property Master:
David Dowling
Scenic Artist:
Vaughan V. Baker
Script Supervisor:
Kelly Moon
Second Assistant Camera:
Amie Gibbins
Second Assistant Director:
Suzan Derkson
Second Unit Director of Photography:
Paul Mitchnick
Security Coordinator:
Jeane Kidd
Set Decoration:
Gail Luining
Matthew Versteeg
Set Dresser:
Heather Ball
Thomas Craib
Terri Bishop
Sound Designer:
Victor Iorillo
Sound Effects Editor:
Bruce Tanis
Erik Aadahl
Sound Mixer:
William Butler
Sound Re-Recording Mixer:
Elmo Ponsdomenech
J. Stanley Johnston
Sound Recordist:
Stephen Fitzmaurice
Sound Supervisor:
Victor Iorillo
Still Photographer:
Alan Zenuk
Storyboard Artist:
Robert Pratt
Stunt Coordinator:
Ed Anders
Ray Pichette
Scott J. Ateah
Stunts:
Brett Armstrong
Garvin Cross
Rick Moore
Lori Stewart
Todd Scott
David Mylrea
Jesse Davidson
Third Assistant Director:
Brad Medhurst
Transportation Captain:
Ron Gavin
Transportation Coordinator:
Bill Janssen
Unit Manager:
Bev White
Unit Publicist:
Dixie Cutler
Visual Effects Supervisor:
Wayne Trickett
Writer:
John Claflin
Daniel Zelman
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At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.