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There Will Be Blood (2007) [R]

Release Date:
December 26, 2007

Original Title:
There Will Be Blood

Alternate Titles:
Aż poleje się krew
Il petroliere
Il y aura du sang
Oil!
Petróleo sangriento
Pozos de ambición
Qan Töküləcək
Sangue Negro
Veri hakkab voolama
Нефть
Եվ Կլինի Արյուն
Նավթ
ゼア・ウィル・ビー・ブラッド
血色将至
黑金风云
데어 윌 비 블러드

Genres:
Drama

Production Companies:
Ghoulardi Film Company
JoAnne Sellar Productions
Miramax
Paramount Vantage

Production Countries:
United States of America

Ratings / Certifications:
AR: +13  AT: 14  AU: M  BE: 14  BR: 14  CA: 14A  CH: 14  CZ: 15  DE: 12  DK: 15  ES: 12  FI: K-18  FR: TP  GB: 15  HK: IIA  HU: 16  IE: 15A  IL: 16  IN: A  IT: T  JP: PG12  KR: 15  MX: B-15  NL: 16  NO: 15  PH: R-13  PL: 18  PT: M/12  RU: 16+  SE: 15  SG: PG  TW: 12+  US: R 

Runtime: 158

There will be greed. There will be vengeance.

Overview from TheMovieDB

Ruthless silver miner, turned oil prospector, Daniel Plainview, moves to oil-rich California. Using his son to project a trustworthy, family-man image, Plainview cons local landowners into selling him their valuable properties for a pittance. However, local preacher Eli Sunday suspects Plainview's motives and intentions, starting a slow-burning feud that threatens both their lives.

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British Film Institute (BFI)
2012
#75		 Directors' Top 100 Poll
Greatest Films of All Time

Performers

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Production

ADR Mixer:
Thomas J. O'Connell

ADR Recordist:
Rick Canelli

Additional Soundtrack:
Arvo Pärt

Art Direction:
David Crank

Assistant Costume Designer:
Kimberly Adams

Assistant Director:
Adam Somner
Eric Richard Lasko

Boom Operator:
David M. Roberts

CG Supervisor:
Adam Watkins

Camera Operator:
Colin Anderson

Casting:
Cassandra Kulukundis

Color Timer:
Kenny Becker

Costume Design:
Mark Bridges

Costume Supervisor:
Eden Clark Coblenz

Costumer:
Michelle Elaine Teague
Yvonne Wilburn

Dialogue Editor:
Hugo Weng
Vanessa Lapato

Director:
Paul Thomas Anderson

Director of Photography:
Robert Elswit

Editor:
Dylan Tichenor

Executive Producer:
Scott Rudin
Eric Schlosser

First Assistant Sound Editor:
Coya Elliott

Foley Artist:
Sarah Monat
Robin Harlan

Foley Editor:
David Horton Jr.
Bruce Tanis

Foley Mixer:
Randy K. Singer

Grip:
Charles Crivier

Hair Department Head:
Linda Flowers

Hairstylist:
Sharon Ray Ely

Intern:
Joel Corry

Key Costumer:
Kathy Kiatta

Key Hair Stylist:
Yeşim "Shimmy" Osman

Lighting Technician:
Robby Baumgartner

Makeup Artist:
Catherine Conrad
Kim Ayers

Makeup Department Head:
John Blake

Music Editor:
Paul Rabjohns

Music Supervisor:
Linda Cohen

Novel:
Upton Sinclair

Original Music Composer:
Jonny Greenwood

Post Production Supervisor:
Jamey Pryde
Erica Frauman

Producer:
Daniel Lupi
Paul Thomas Anderson
JoAnne Sellar

Production Assistant:
Ruth De Jong

Production Design:
Jack Fisk

Production Supervisor:
Will Weiske

Rigging Gaffer:
Mark Manthey

Script Supervisor:
Anna Rane

Second Assistant Director:
Richard Oswald
Ian Stone

Set Decoration:
Jim Erickson

Set Designer:
Carl J. Stensel

Set Dresser:
Brad Blei
Mark Hanks
Jack Colmenero

Sound Assistant:
Andrew Bock

Sound Designer:
Chris Scarabosio

Sound Effects Editor:
Tim Nielsen
J.R. Grubbs
Jeff Sawyer

Sound Mixer:
John Pritchett

Sound Re-Recording Assistant:
Juan Peralta

Sound Re-Recording Mixer:
Michael Semanick
Tom Johnson

Special Effects Coordinator:
Steve Cremin

Special Effects Technician:
Christian Eubank
Brandon K. McLaughlin
Jay King
Douglas D. Ziegler

Still Photographer:
Melinda Sue Gordon
François Duhamel

Stunt Coordinator:
Jeff Habberstad
Myke Schwartz

Stunts:
Brian Avery
Shawn Patrick Lane
Jake Lombard
Paul Sklar
Frank Lloyd
Ryan Happy
Mark Muñoz
Denney Pierce
Keii Johnston
Scott Sproule
Larry M. Shorts
Mike Justus

Supervising Sound Editor:
Matthew Wood

Thanks:
Jose Ludlow
Mark Graziano

Title Designer:
Dan Perri

Visual Effects Producer:
Susan Greenhow
Christina Graff

Visual Effects Supervisor:
Grady Cofer
Paul Graff

Writer:
Paul Thomas Anderson

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.