A work in constant progress (and occasional regress).
Birthplace:
Armagh, Northern Ireland, UK
Born:
June 29, 1967
Seamus McGarvey, ASC, BSC (born 29 June 1967) is a cinematographer from Armagh, Northern Ireland. He lives in Tuscany, Italy. He has received two Academy Award nominations for his cinematography, on Joe Wright's 2007 drama Atonement and his 2012 adaptation of Leo Tolstoy's novel Anna Karenina. In addition to the Oscar nominations, McGarvey won the British Society of Cinematographers (B.S.C.) award for Anna Karenina and for Nocturnal Animals, as well as a nomination for Atonement, and earned BAFTA nominations for Atonement, Anna Karenina, and Nocturnal Animals. He received A.S.C. nods for Atonement and Anna Karenina. Atonement earned him nominations for the British Independent Film Award, the Chicago Film Critics Association, and the Online Film Critics Society, and he received the top honour from the Phoenix Film Critics Society. McGarvey has won three Evening Standard British Film Awards for Atonement, Anna Karenina, and Stephen Daldry's The Hours, and six Irish Film & Television Awards for Atonement, Anna Karenina, Sahara, We Need to Talk About Kevin, Nocturnal Animals, and The Greatest Showman. In 2004, he was awarded the Royal Photographic Society's prestigious Lumiere Medal, along with Jack Cardiff, Freddie Francis, Roger Deakins, and Ridley Scott, for contributions to the art of cinematography.
Assistant Camera:
1990 The Garden
Camera Technician:
1990 The Garden
1992 Floating
Cinematography:
1990 The Garden
1992 Floating
1997 Flying Saucer Rock 'n' Roll
1998 The End
2013 A Fuller Life
2021 Oaxacalifornia: The Return
???? Gerry Adams: A Ballymurphy Man
Director of Photography:
1990 The Garden
1992 Floating
1995 Butterfly Kiss
1995 Hello, Hello, Hello
1995 Skin
1997 Flying Saucer Rock 'n' Roll
1997 Harald
1997 Jump the Gun
1997 The Slab Boys
1997 The Winter Guest
1998 Stand and Deliver
1998 The End
1999 A Map of the World
1999 I Could Read the Sky
1999 The Big Tease
1999 The War Zone
2000 High Fidelity
2000 The Name of This Film Is Dogme95
2001 Enigma
2001 Wit
2002 The Hours
2003 The Actors
2004 Along Came Polly
2005 Sahara
2006 Charlotte's Web
2006 Destricted
2006 World Trade Center
2007 Atonement
2008 Love You More
2009 Nowhere Boy
2009 The Soloist
2011 We Need to Talk About Kevin
2012 Anna Karenina
2012 Lost Angels: Skid Row Is My Home
2012 The Avengers
2013 A Fuller Life
2013 Harry Dean Stanton: Partly Fiction
2014 Godzilla
2015 Fifty Shades of Grey
2015 Pan
2016 Kitty
2016 Nocturnal Animals
2016 The Accountant
2017 Life
2017 The Greatest Showman
2018 Bad Times at the El Royale
2018 The Human Voice
2019 Greta
2021 Cyrano
2021 Oaxacalifornia: The Return
2024 M. Il Figlio del Secolo
2024 Without Blood
2025 The Accountant 2
???? Die, My Love
???? Gerry Adams: A Ballymurphy Man
Director of Photography:
2011 Black Mirror
2021 The Nevers
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.