A work in constant progress (and occasional regress).
Release Date:
February 9, 2001
Original Title:
Wit
Alternate Titles:
Amar la vida
Dowcip
Fekete angyal
Henki
La forza della mente
Mon combat
Shninoot
Uma Lição de Vida
Un trait de l'esprit
Ypsili Noimosyni
Υψηλή Νοημοσύνη
위트
Genres:
Drama
Production Companies:
HBO Films
Production Countries:
United States of America
Ratings / Certifications:
CZ: 15+ HU: 16 NL: AL PL: 16 US: PG-13
Runtime: 99
A renowned professor is forced to reassess her life when she is diagnosed with terminal ovarian cancer.
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ADR & Dubbing:
Deborah Wallach
Paul J. Zydel
Additional Soundtrack:
Arvo Pärt
Assistant Art Director:
Claire Nia Richards
Assistant Director:
Mark Layton
Michael Haley
Associate Producer:
Paul A. Levin
Boom Operator:
Paul Cridlin
Camera Operator:
Trevor Coop
Carpenter:
Martin Duffy
John Whitby
Casting:
Juliet Taylor
Leo Davis
Ellen Lewis
Co-Producer:
Michael Haley
Julie Lynn
Color Timer:
Don Ciana
Costume Design:
Ann Roth
Digital Compositors:
Matt McDonald
Director:
Mike Nichols
Director of Photography:
Seamus McGarvey
Editor:
John Bloom
Electrician:
Paul Sharp
Executive Producer:
Cary Brokaw
Mike Nichols
Focus Puller:
Mark Milsome
Foley:
Frank Kern
Marko Costanzo
Kam Chan
George A. Lara
Gaffer:
Lee Walters
Grip:
Peter Myslowski
Hairstylist:
Linda DeVetta
Makeup Artist:
J. Roy Helland
Music Editor:
Nic Ratner
Music Supervisor:
Evyen Klean
Original Music Composer:
Henryk Mikolaj Gorecki
Producer:
Simon Bosanquet
Production Design:
Stuart Wurtzel
Props:
Les Benson
Script Supervisor:
Beverly Winston
Set Decoration:
Michael Seirton
Sound Effects Editor:
Blake Leyh
Sound Re-Recording Mixer:
Lee Dichter
Still Photographer:
Clive Coote
Stunt Coordinator:
Gareth Milne
Supervising Art Director:
Sarah Hauldren
Teleplay:
Mike Nichols
Emma Thompson
Theatre Play:
Margaret Edson
Unit Production Manager:
Rachel Neale
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.