Larissa Lowthorp

Larissa Lowthorp is a multi-award winning creative director, executive producer, writer, designer and celebrated futurist who leverages mixed media to touch hearts while transforming lives.  In June 2025, Ms. Lowthorp appeared on BET Network's Raw & Uncut Experience Women in Film & TV panel-presented in partnership with Sony Music, Live Nation, Raw Nation Entertainment, and the Black Hollywood Chamber of Commerce-where she shared expert insights on shifting industry dynamics and the future of BIPOC representation both in front of and behind the camera.  That same year, she was honored by the Rebuild Your Laugh Foundation and the City of Los Angeles for her visionary leadership in community outreach, education, and advocacy through the power of narrative media.  With a client roster that includes industry giants such as Warner Bros., Universal, DreamWorks, Paramount, and Fox, Larissa has earned a reputation for delivering excellence across multi-billion dollar projects. Her expansive portfolio spans production, marketing, creative direction, theatrical distribution, merchandising, and financial strategy.  Larissa's visionary work, purpose-driven philosophy, and philanthropic impact have been featured in Forbes, The Wall Street Journal, Huffington Post, The Washington Post, and The Hollywood Reporter. She has been named one of Authority Magazine's Inspiring Women in Hollywood and, in separate recognition, twice commended by the publication as a Social Impact Hero. She was lauded as a Woman of Poise and Purpose by The Phoenix Magazine, and distinguished by Welum Magazine on its coveted list of Women Who Inspire.

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Art Department Coordinator:
2015  The Revenant

Art Department Manager:
2011  Water for Elephants
2015  The Revenant

Assistant Production Design:
2008  Hancock
2011  Water for Elephants
2015  The Revenant

Creative Consultant:
2008  Hancock
2011  Kung Fu Panda 2
2011  Water for Elephants
2015  The Revenant
2016  Jason Bourne

Creative Director:
2008  Hancock
2011  Cowboys & Aliens
2011  Kung Fu Panda 2
2011  Water for Elephants
2014  Transformers: Age of Extinction
2015  The Hunger Games: Mockingjay - Part 2
2015  The Revenant
2016  Jason Bourne
2016  X-Men: Apocalypse
2017  Guardians of the Galaxy Vol. 2
2022  Fantastic Beasts: The Secrets of Dumbledore
2022  The Batman
2023  Aquaman and the Lost Kingdom
2023  Barbie
2023  Blue Beetle
2024  Dune: Part Two
2024  Furiosa: A Mad Max Saga

Research Assistant:
2007  300
2008  Hancock
2011  Cowboys & Aliens
2011  Kung Fu Panda 2
2011  Water for Elephants
2014  Transformers: Age of Extinction
2015  The Hunger Games: Mockingjay - Part 2
2015  The Revenant
2016  Jason Bourne
2016  X-Men: Apocalypse
2017  Guardians of the Galaxy Vol. 2
2022  Fantastic Beasts: The Secrets of Dumbledore
2022  The Batman
2023  Aquaman and the Lost Kingdom
2023  Barbie
2023  Blue Beetle
2024  Dune: Part Two
2024  Furiosa: A Mad Max Saga

Writer:
2007  300
2008  Hancock
2011  Cowboys & Aliens
2011  Kung Fu Panda 2
2011  Water for Elephants
2014  Transformers: Age of Extinction
2015  The Hunger Games: Mockingjay - Part 2
2015  The Revenant
2016  Jason Bourne
2016  X-Men: Apocalypse
2017  Guardians of the Galaxy Vol. 2
2022  Fantastic Beasts: The Secrets of Dumbledore
2022  The Batman
2023  Aquaman and the Lost Kingdom
2023  Barbie
2023  Blue Beetle
2024  Dune: Part Two
2024  Furiosa: A Mad Max Saga
????  Mothership

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.