A work in constant progress (and occasional regress).
Release Date:
January 24, 2001
Original Title:
Sugar & Spice
Alternate Titles:
AtraĆdas Pelo Perigo
Bad Girls
Ingenuas y peligrosas
Sugar and Spice
Sugar and Spice and Semiautomatics
Genres:
Comedy | Crime | Drama
Production Companies:
New Line Cinema
Production Countries:
United States of America
Ratings / Certifications:
US: PG-13
Runtime: 81
When Jack and Diane find themselves in an unexpected adult situation, the A-Squad comes to their rescue. In order to help their friend Diane, the A-Squad goes where no cheerleader has gone before: taking on a little after-school project known as bank robbery. But the A-Squad does things their way -- with sugar and spice -- forever changing their friendship, their future and the nation's notion of teen spirit.
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"A" Camera Operator:
Kirk R. Gardner
"B" Camera Operator:
Afshin Shahidi
ADR Mixer:
Dean St. John
Alan Freedman
ADR Supervisor:
Robert Jackson
Additional Editor:
Tom Lewis
Art Direction:
Maria Baker
Assistant Location Manager:
David Brotsky
Assistant Production Coordinator:
Susan Hartmann
Assistant Property Master:
Stuart Skrien
Assistant Sound Editor:
Chato Hill
Boom Operator:
John Glaeser
Casting:
Jeanne McCarthy
Juel Bestrop
Casting Assistant:
Blythe Cappello
Chief Lighting Technician:
Tom Franchett
Construction Coordinator:
Kirk Erickson
Costume Design:
Wendy Chuck
Costume Supervisor:
Jeannine Bourdaghs
Dialogue Editor:
Jed M. Dodge
Robert Getty
Jason George
Thomas Jones
David Grant
Director:
Francine McDougall
Director of Photography:
Robert Brinkmann
Editor:
Sloane Klevin
Executive In Charge Of Post Production:
Jody Levin
Executive In Charge Of Production:
Carla Fry
Executive Producer:
Claire Rudnick Polstein
Greg Mooradian
Matt Moore
Extras Casting:
Beau Jorgensen
First Assistant Director:
Mary Ellen Woods
First Assistant Editor:
Pattye Rogers
Foley Artist:
Diane Marshall
David Lee Fein
Foley Editor:
Craig Jurkiewicz
Foley Mixer:
Lucy Sustar
Graphic Designer:
Bradford Richardson
Hairstylist:
Teri Demarest
Mary Morrison
Roxanne Wightman
Key Hair Stylist:
Sherry Heart
Key Makeup Artist:
Mary Flaa
Location Manager:
Tim Hillman
Bob Medcraft
Makeup Artist:
Dee Gross
Natalie A. Hale
Carrie Messina
Music Coordinator:
Bob Bowen
Music Editor:
Michael Baber
Adam Kay
Original Music Composer:
Mark Mothersbaugh
Post Production Supervisor:
Claire O'Brien
Producer:
Wendy Finerman
Production Accountant:
Dana Reaves Bolla
Production Coordinator:
Marjorie Ergas
Production Design:
Jeff Knipp
Production Executive:
Michele McGuire
Production Supervisor:
Jon Davidson
Property Master:
Chad Branham
Screenplay:
Lona Williams
Script Supervisor:
Linda Kuusisto
Second Assistant Director:
Eric Sherman
Set Costumer:
Susan Strubel
Linda Thayer
Set Decoration:
Maggie Martin
Set Designer:
Windy Fleischaker
Sound Effects Editor:
Mark Choi
Takako Ishikawa
Michael Kamper
Michael Mullane
Sound Mixer:
Ken McLaughlin
Sound Re-Recording Mixer:
Mathew Waters
Yuri Reese
Derek Marcil
Steadicam Operator:
Kirk R. Gardner
Still Photographer:
Darren Michaels
Frank Masi
Storyboard Artist:
Katherine S. Brown
Stunt Coordinator:
Eric D. Howell
James Fierro
Stunts:
Lisa Pederson
Carl Paoli
Rose M. Frazier
Gina Marie Vitale
Suzanne Williams
Jaime Strandmark
Luis Rosa
Supervising Sound Editor:
Mathew Waters
Transportation Captain:
Richard Anderson
Transportation Coordinator:
Marc Scott
Unit Production Manager:
Michael Nelson
Unit Publicist:
Amy Leigh Johnson
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.