A work in constant progress (and occasional regress).
Release Date:
November 21, 1996
Original Title:
Jingle All the Way
Alternate Titles:
Jingle All The Way 1
Un padre en apuros
Genres:
Adventure | Comedy | Family
Production Companies:
1492 Pictures
20th Century Fox
Fox Family Films
Production Countries:
United States of America
Ratings / Certifications:
AU: PG BR: L CZ: U DE: 6 ES: APTA FR: U GB: PG HU: KN NL: 6 RO: AP US: PG
Runtime: 89
Howard Langston, a salesman for a mattress company, is constantly kept busy at his job, disappointing his son. After he misses his son's karate exposition, Howard vows to make it up to him by buying an action figure of his son's favorite television hero for Christmas. Unfortunately for Howard, it is Christmas Eve, and every store is sold out of Turbo Man. Now, Howard must travel all over town and compete with everybody else to find a Turbo Man action figure.
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3D Animator:
Suzanne Smith
Art Direction:
Thomas Fichter
Associate Producer:
Warren Zide
Paula DuPré Pesmen
Casting:
Judy Taylor
Co-Producer:
James Mulay
Compositors:
John Bermudes
Costume Design:
Jay Hurley
Dialogue Editor:
Lou Angelo
Director:
Brian Levant
Director of Photography:
Victor J. Kemper
Editor:
Kent Beyda
Adam Weiss
Wilt Henderson
Foley Editor:
Ted Caplan
Makeup Artist:
Greg Cannom
Sheila Evers
Makeup Department Head:
Jeff Dawn
Michael Key
Original Music Composer:
David Newman
Producer:
Michael Barnathan
Chris Columbus
Mark Radcliffe
Richard Vane
Production Assistant:
Jeremy Strong
Production Design:
Leslie McDonald
Production Supervisor:
Gary Stanek
Recording Supervision:
Bob Beemer
Screenplay:
Randy Kornfield
Second Unit Director:
Steve Boyum
Set Decoration:
John H. Anderson
Ronald R. Reiss
Special Effects:
William Aldridge
Stunt Double:
Billy D. Lucas
Stunts:
Janet Brady
Tony Epper
Danny Epper
Danny Wynands
Joe Bucaro III
Darrin Prescott
Lane Leavitt
Tom Elliott
Erik Cord
Gene LeBell
Manny Perry
Tim A. Davison
Sandra Lee Gimpel
Troy Brown
Katie Boyum
Steve Buckingham
Supervising Art Director:
Tony Fanning
Swing:
Dale E. Anderson
Unit Production Manager:
Peter Burrell
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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