A work in constant progress (and occasional regress).
Birthplace:
Dublin, Ireland
Born:
August 20, 1961
Stanley Townsend (born August 1961) is an Irish actor. Townsend was born and brought up in Dublin. After attending Wesley College, Dublin, he studied mathematics and civil engineering at Trinity College. While there he joined the Dublin University Players, the college's Amateur Dramatic Society. He later co-founded co-operative theatre company Rough Magic with writer/director Declan Hughes and theatre director Lynne Parker, performing in numerous productions including The Country Wife, Nightshade, and Sexual Perversity in Chicago. He subsequently went on to perform in several productions at The Gate and The Abbey Theatres in Dublin. In London, he has worked with such directors as Sam Mendes in The Plough and the Stars, Richard Eyre in Guys and Dolls and Rufus Norris in Under the Blue Sky. Theatre appearances at the Royal Court include The Alice Trilogy directed by Ian Rickson and Shining City directed by Conor McPherson, for which he won an Irish Theatre Award and was nominated for the Evening Standard Theatre Award for Best Actor in 2004. Townsend's television work began on a number of shows for RTÉ in Dublin. Since moving to London, television appearances have included Spooks, The Commander, Hustle, Waking the Dead, and Omagh Bombing. ilm credits include Mike Newell's Into the West, Jim Sheridan's In the Name of the Father with Daniel Day-Lewis, The Van by Stephen Frears, Peter Greenaway's The Tulse Luper Suitcases, The Libertine with Johnny Depp, Paul Morrison's Wondrous Oblivion with Delroy Lindo, John Boorman's The Tiger's Tale and Michael Radford's Flawless. He currently lives in London.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.