A work in constant progress (and occasional regress).
Release Date:
September 9, 2025
Original Title:
National Theatre Live: Retrograde
Genres:
Drama
Production Companies:
National Theatre
Production Countries:
United Kingdom
Ratings / Certifications:
N/A
Runtime: 90
Hollywood’s so-called Golden Age. Ten years before becoming the first Black man to win an Oscar, a young Sidney Poitier arrives to sign a life-changing contract that could make him a star. But there’s a catch. As he becomes entangled in events larger than he imagined, Sidney is forced to make an impossible choice – one that will reshape his future, the Civil Rights Movement, and the soul of a nation. From award-winning writer Ryan Calais Cameron (For Black Boys…), exploring integrity, betrayal, and the personal cost of success, Retrograde asks what would you sacrifice to achieve your dream? Backed by double Oscar and BAFTA nominee Colman Domingo as producer, Amit Sharma’s ‘perfectly pitched production’ (Independent) features Ivanno Jeremiah (Constellations), Stanley Townsend (Kaos) and Oliver Johnstone (Antigone).
Costume Design:
Frankie Bradshaw
Director:
Amit Sharma
Lighting Design:
Amy Mae
Writer:
Ryan Calais Cameron
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.