A work in constant progress (and occasional regress).
Alias:
Charles Bitch
Charles Bitsch
Birthplace:
Mulhouse, Haut-Rhin, France
Born:
April 23, 1931
Died:
May 27, 2016
Charles L. Bitsch was a French film director, screenwriter, and cinematographer associated with the French New Wave. Born in Mulhouse, he studied at the Institut des hautes études cinématographiques (IDHEC). Bitsch began his career as a cinematographer, working on short films like Le Coup du berger (1956). He served as an assistant director for prominent filmmakers, including Claude Chabrol on Le Beau Serge (1958) and Jean-Luc Godard on Le Mépris (1963). Bitsch directed films such as Les Baisers (1964) and La Chance et l'amour (1964). His work is noted for its stylistic innovation and contribution to the French New Wave movement.
Assistant Camera:
1962 Love at Twenty
Assistant Director:
1959 Two Men in Manhattan
1960 The Good Girls
1962 Le Doulos
1962 Love at Twenty
1962 The Seven Deadly Sins
1963 Bluebeard
1963 Contempt
1963 Ro.Go.Pa.G.
1963 The Carabineers
1965 Alphaville
1967 2 or 3 Things I Know About Her
1967 La Chinoise
1967 Made in U.S.A
1967 The Oldest Profession
1969 Love and Anger
Camera Operator:
1959 Two Men in Manhattan
1960 The Good Girls
1962 Le Doulos
1962 Love at Twenty
1962 The Seven Deadly Sins
1962 Vivre Sa Vie
1963 Bluebeard
1963 Contempt
1963 Ro.Go.Pa.G.
1963 The Carabineers
1965 Alphaville
1967 2 or 3 Things I Know About Her
1967 La Chinoise
1967 Made in U.S.A
1967 The Oldest Profession
1969 Love and Anger
Director:
1959 Two Men in Manhattan
1960 The Good Girls
1962 Le Doulos
1962 Love at Twenty
1962 The Seven Deadly Sins
1962 Vivre Sa Vie
1963 Bluebeard
1963 Contempt
1963 Ro.Go.Pa.G.
1963 The Carabineers
1964 Chance at Love
1964 Les baisers
1965 Alphaville
1967 2 or 3 Things I Know About Her
1967 La Chinoise
1967 Made in U.S.A
1967 The Oldest Profession
1969 Love and Anger
1969 The Last Man
1990 Le Bonheur des autres
Director of Photography:
1952 The Diversion
1956 Fool's Mate
1959 Two Men in Manhattan
1959 Véronique and Her Dunce
1960 The Good Girls
1961 Paris Belongs to Us
1962 Le Doulos
1962 Love at Twenty
1962 The Seven Deadly Sins
1962 Vivre Sa Vie
1963 Bluebeard
1963 Contempt
1963 Ro.Go.Pa.G.
1963 The Carabineers
1964 Chance at Love
1964 Les baisers
1965 Alphaville
1967 2 or 3 Things I Know About Her
1967 Far from Vietnam
1967 La Chinoise
1967 Made in U.S.A
1967 The Oldest Profession
1969 Love and Anger
1969 The Last Man
1990 Le Bonheur des autres
Writer:
1952 The Diversion
1956 Fool's Mate
1959 Two Men in Manhattan
1959 Véronique and Her Dunce
1960 The Good Girls
1961 Paris Belongs to Us
1962 Le Doulos
1962 Love at Twenty
1962 The Seven Deadly Sins
1962 Vivre Sa Vie
1963 Bluebeard
1963 Contempt
1963 Ro.Go.Pa.G.
1963 The Carabineers
1964 Chance at Love
1964 Les baisers
1965 Alphaville
1966 M.M.M. 83
1967 2 or 3 Things I Know About Her
1967 Far from Vietnam
1967 La Chinoise
1967 Made in U.S.A
1967 The Oldest Profession
1969 Love and Anger
1969 The Last Man
1990 Le Bonheur des autres
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.