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Contempt (1963) [NR]

Release Date:
October 29, 1963

Original Title:
Le Mépris

Alternate Titles:
Contempt!
Desprezo
El menyspreu
I perifronisi
Jag föraktar dig
Keibetsu
Prezir
Sen täytyi tapahtua
Περιφρόνηση
Презрение

Genres:
Drama | Romance

Production Companies:
C. C. Champion
Les Films Concordia
Rome-Paris Films

Production Countries:
France | Italy

Ratings / Certifications:
AT: 12  BR: 16  DE: 16|6  FI: K-16  FR: TP  IT: 14+  NL: 12  PT: M/12  SE: 11  US: NR 

Runtime: 103

More bold! More brazen! And much, much more Bardot!

Overview from TheMovieDB

A philistine in the art film business, Jeremy Prokosch is a producer unhappy with the work of his director. Prokosch has hired Fritz Lang to direct an adaptation of "The Odyssey," but when it seems that the legendary filmmaker is making a picture destined to bomb at the box office, he brings in a screenwriter to energize the script. The professional intersects with the personal when a rift develops between the writer and his wife.

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British Film Institute (BFI)
2012
#21		 Critics' Top 100 Poll
Greatest Films of All Time
2012
#44		 Directors' Top 100 Poll
Greatest Films of All Time

Performers

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Production

Assistant Camera:
Joe D'Amato

Assistant Director:
Charles L. Bitsch

Costume Design:
Tanine Autré

Director:
Jean-Luc Godard

Director of Photography:
Raoul Coutard

Editor:
Agnès Guillemot
Lila Lakshmanan

Electrician:
Cristo Verrillo

Grip:
Roger Robert

Makeup Artist:
Odette Berroyer

Novel:
Alberto Moravia

Original Music Composer:
Georges Delerue

Producer:
Carlo Ponti
Joseph E. Levine
Georges de Beauregard

Production Manager:
Carlo Lastricati
Philippe Dussart

Publicist:
Bertrand Tavernier
Annie Chauvet

Screenplay:
Jean-Luc Godard

Script Supervisor:
Suzanne Schiffman

Second Unit Director of Photography:
Alain Levent

Sound:
William Robert Sivel

Still Photographer:
Jicky Dussart

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.