A work in constant progress (and occasional regress).
Release Date:
September 20, 1962
Original Title:
Vivre sa vie: film en douze tableaux
Alternate Titles:
Die Geschichte der Nana S.
It's My Life
Jean-Luc Godard: Die Geschichte der Nana S.
La corrupción
My Life to Live
Onna to Otoko no Iru Hodô
To Live Her Life: A Film in Twelve Scenes
Viver a Sua Vida
Viver a Sua Vida. Filme em 12 Quadros
Vivre sa vie
Zijn Leven beleven
Zouse ti zoi tis
Жити своїм життям
Жить своей жизнью
隨心所欲
비브르 사 비
자기 인생을 살기
Genres:
Drama
Production Companies:
Les Films de la Pléiade
Pathé Consortium Cinéma
Production Countries:
France
Ratings / Certifications:
DE: 18 FR: TP IT: 18+ KR: 18|15 NL: 18 SE: 15 US: NR
Runtime: 84
Twelve episodic tales in the life of a Parisian woman and her slow descent into prostitution.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
2012 #67 |
Directors' Top 100 Poll
Greatest Films of All Time |
Assistant Camera:
Claude Beausoleil
Book:
Marcel Sacotte
Boom Operator:
Jean Philippe
Camera Operator:
Charles L. Bitsch
Costume Design:
Christiane Fageol
Director:
Jean-Luc Godard
Director of Photography:
Raoul Coutard
Dolly Grip:
Pierre Durin
Driver:
Claude Laporte
Editor:
Jean-Luc Godard
Agnès Guillemot
Electrician:
Fernand Coquet
François Coquet
First Assistant Director:
Bernard Toublanc-Michel
Hair Designer:
Alexandre de Paris
Hairstylist:
Simone Knapp
Key Grip:
Bernard Largemains
Makeup Artist:
Jacky Reynal
Original Music Composer:
Michel Legrand
Other:
Marilù Parolini
Producer:
Pierre Braunberger
Production Manager:
Roger Fleytoux
Production Secretary:
Ida Fassio
Script Supervisor:
Suzanne Schiffman
Second Assistant Director:
Jean-Paul Savignac
Sound Editor:
Lila Lakshmanan
Sound Mixer:
Jacques Maumont
Sound Recordist:
Guy Villette
Special Effects:
Jean Fouchet
Title Designer:
Ursule Monlinaro
Unit Manager:
Jean-François Adam
Unit Publicist:
Georges Cravenne
Writer:
Jean-Luc Godard
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.