Serge Korber (1936-2022)

Alias:
John Thomas
Serge Karber
Yves Korber

Birthplace:
Paris, France

Born:
February 1, 1936

Died:
January 23, 2022

Serge Korber was a French film director and screenwriter known for his work in comedy and drama. He began his career in the 1960s, directing films such as L'homme orchestre (1970) and Perched on a Tree (1971), both starring Louis de Funès. Korber also directed the drama Hearth Fires (1972), featuring Annie Girardot and Claude Jade. In addition to his work in film, he directed television series and documentaries. Korber's films are noted for their humor and exploration of human relationships.

Additional information:

The Search Form


Director:
1962  Un jour à Paris
1966  Seventeenth Heaven
1967  Idiot in Paris
1968  A Little Virtuous
1970  The One Man Band
1971  Perched on a Tree
1972  Hearth Fires
1974  Ursule and Grelu
1975  Hard Love
1978  Et vive la liberté!
1979  Je vous ferai aimer la vie
1979  Un jour un tueur
1980  Cherchez l'erreur
1980  Shut Up, I Love You!
1986  Fred connexion
1988  To Our Late Husband
1993  Le galopin
1994  The Eagle and the Horse
1996  Les Bidochon
1997  Les Petites Bonnes
2007  Louis de Funès Intime
2010  Le Miracle du silence
2012  Jean-Louis Trintignant, pourquoi que je vis

Scenario Writer:
1962  Un jour à Paris
1966  Seventeenth Heaven
1967  Idiot in Paris
1968  A Little Virtuous
1970  The One Man Band
1971  Perched on a Tree
1972  Hearth Fires
1974  Ursule and Grelu
1975  Hard Love
1978  Et vive la liberté!
1979  Je vous ferai aimer la vie
1979  Un jour un tueur
1980  Cherchez l'erreur
1980  Shut Up, I Love You!
1986  Fred connexion
1988  To Our Late Husband
1993  Le galopin
1994  The Eagle and the Horse
1996  Les Bidochon
1997  Les Petites Bonnes
2007  Louis de Funès Intime
2010  Le Miracle du silence
2012  Jean-Louis Trintignant, pourquoi que je vis

Screenplay:
1962  Un jour à Paris
1966  Seventeenth Heaven
1967  Idiot in Paris
1968  A Little Virtuous
1970  The One Man Band
1971  Perched on a Tree
1972  Hearth Fires
1974  Ursule and Grelu
1975  Hard Love
1978  Et vive la liberté!
1979  Je vous ferai aimer la vie
1979  Un jour un tueur
1980  Cherchez l'erreur
1980  Shut Up, I Love You!
1984  Dog Day
1986  Fred connexion
1988  To Our Late Husband
1993  Le galopin
1994  The Eagle and the Horse
1996  Les Bidochon
1997  Les Petites Bonnes
2007  Louis de Funès Intime
2010  Le Miracle du silence
2012  Jean-Louis Trintignant, pourquoi que je vis

Writer:
1962  Un jour à Paris
1966  Seventeenth Heaven
1967  Idiot in Paris
1968  A Little Virtuous
1970  The One Man Band
1971  Perched on a Tree
1972  Hearth Fires
1974  Ursule and Grelu
1975  Hard Love
1978  Et vive la liberté!
1979  Je vous ferai aimer la vie
1979  Un jour un tueur
1980  Cherchez l'erreur
1980  Shut Up, I Love You!
1984  Dog Day
1986  Fred connexion
1988  To Our Late Husband
1993  Le galopin
1994  The Eagle and the Horse
1996  Les Bidochon
1997  Les Petites Bonnes
2007  Louis de Funès Intime
2010  Le Miracle du silence
2012  Jean-Louis Trintignant, pourquoi que je vis

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.