A work in constant progress (and occasional regress).
Release Date:
April 11, 1962
Original Title:
Cléo de 5 à 7
Alternate Titles:
5 ji kara 7 ji made no Kureo
Cleo - Mittwoch zwischen 5 und 7
Cleo de 5 a 7
Cleo viidestä seitsemään
Cléo de cinq à sept
Cléo från 5 till 7
Cléo från fem till sju
Cléo od pěti do sedmi
Cléo van 5 tot 7
Duas Horas na Vida de Uma Mulher
Δύο Ώρες στη Ζωή μιας Γυναίκας
Δύο ώρες από τη ζωή μιας γυναίκας
Клео від 5 до 7
Клео от 5 до 7
Genres:
Drama
Production Companies:
Ciné-Tamaris
Rome-Paris Films
Production Countries:
France | Italy
Ratings / Certifications:
FR: TP HU: 12 JP: G NL: 14 US: NR
Runtime: 90
Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand and cameos by Jean-Luc Godard and Anna Karina.
Art Direction:
Bernard Evein
Assistant Director:
Bernard Toublanc-Michel
Marin Karmitz
Costume Design:
Alyette Samazeuilh
Director:
Agnès Varda
Director of Photography:
Jean Rabier
Paul Bonis
Alain Levent
Editor:
Pascale Laverrière
Janine Verneau
Grip:
Roger Robert
Roger Scipion
Makeup Artist:
Aïda Carange
Original Music Composer:
Michel Legrand
Producer:
Carlo Ponti
Georges de Beauregard
Production Manager:
Bruna Drigo
Script Supervisor:
Aurore Pasquiss-Chabrol
Songs:
Michel Legrand
Agnès Varda
Sound:
Jean Labussière
Julien Coutelier
Sound Re-Recording Mixer:
Jacques Maumont
Still Photographer:
Raymond Cauchetier
Liliane de Kermadec
Unit Production Manager:
Edith Tertza
Jean-François Adam
Writer:
Agnès Varda
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.