A work in constant progress (and occasional regress).
Release Date:
April 12, 1971
Original Title:
Sur un arbre perché
Alternate Titles:
Oscar, der Zick-Zack-Fahrer
Tudo Começou Assim
Ο βασιλιάς της τρέλλας
Зачепившись за дерево
Genres:
Comedy
Production Companies:
Lira Films
Société Nouvelle de Cinématographie
Production Countries:
France
Ratings / Certifications:
DE: 6 FR: U HU: 16
Runtime: 90
Henry Roubier, a French promoter, and Enrico Mazzini, an Italian, have signed an agreement guaranteeing them a stranglehold on European highways. While driving on the roads of the south, Roubier takes two young hitchhikers, but an unfortunate swerve the car rushes by Henri and its occupants on the top of a pine tree onto the side of a cliff.
Administration:
Maurice Otte
Art Department Assistant:
Jacques Brizzio
Jean Forestier
Boom Operator:
Guy Maillet
Camera Operator:
Daniel Vogel
Michel Rocca
René Vernadet
Camera Production Assistant:
Jacques Lefrançois
Christian Dupré
Dialogue:
Jean Halain
Director:
Serge Korber
Director of Photography:
Edmond Séchan
Editor:
Marie-Claire Korber
Editorial Consultant:
Yann Dedet
Editorial Coordinator:
Florence Dedet
Makeup Department Head:
Fernande Hugi
Original Music Composer:
Alain Goraguer
Other:
Marlène Moineau
Eugène Moineau
Producer:
Raymond Danon
André Hoss
René Brun
Alex Maineri
Producer's Assistant:
Maurice Jacquin
Production Design:
Rino Mondellini
Production Manager:
Ralph Baum
Production Office Assistant:
Christiane Caradec
Screenplay:
Serge Korber
Pierre Roustang
Script Supervisor:
Annie Maurel
Second Unit Director of Photography:
Bernard Guillou
Second Unit First Assistant Director:
Henri Helman
Sound:
René-Christian Forget
Sound Editor:
Elizabeth Sarradin
Claude Cohen
Sound Effects Designer:
Guy Maillet
Sound Mixer:
Alex Pront
Still Photographer:
Roger Corbeau
Stunt Coordinator:
Rémy Julienne
Stunts:
Isa Rambaud
Writers' Assistant:
Jean Halain
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.