Stanley Kubrick (1928-1999)

Alias:
اِستانلی کوبریک
स्टैनली कूब्रिक

Birthplace:
New York City, New York, USA

Born:
July 26, 1928

Died:
March 7, 1999

Stanley Kubrick (July 26, 1928 – March 7, 1999) was an American film director, writer, producer, and photographer who lived in England during most of the last four decades of his career. Kubrick was noted for the scrupulous care with which he chose his subjects, his slow method of working, the variety of genres he worked in, his technical perfectionism, and his reclusiveness about his films and personal life. He maintained almost complete artistic control, making movies according to his own whims and time constraints, but with the rare advantage of big-studio financial support for all his endeavors. Kubrick's films are characterized by a formal visual style and meticulous attention to detail—his later films often have elements of surrealism and expressionism that eschews structured linear narrative. His films are repeatedly described as slow and methodical, and are often perceived as a reflection of his obsessive and perfectionist nature. A recurring theme in his films is man's inhumanity to man. While often viewed as expressing an ironic pessimism, a few critics feel his films contain a cautious optimism when viewed more carefully.  The film that first brought him attention to many critics was Paths of Glory (1957), the first of three films of his about the dehumanizing effects of war. Many of his films at first got a lukewarm reception, only to be years later acclaimed as masterpieces that had a seminal influence on many later generations of film-makers. Considered especially groundbreaking was 2001: A Space Odyssey (1968) noted for being both one of the most scientifically realistic and visually innovative science-fiction films ever made while maintaining an enigmatic non-linear storyline. He voluntarily withdrew his film A Clockwork Orange (1971) from England, after it was accused of inspiring copycat crimes which in turn resulted in threats against Kubrick's family. His films were largely successful at the box-office, although Barry Lyndon (1975) performed poorly in the United States. Living authors Anthony Burgess and Stephen King were both unhappy with Kubrick's adaptations of their novels A Clockwork Orange and The Shining (1980) respectively, and both authors were engaged with subsequent adaptations. All of Kubrick's films from the mid-1950s to his death except for The Shining were nominated for Oscars, Golden Globes, or BAFTAs. Although he was nominated for an Academy Award as a screenwriter and director on several occasions, his only personal win was for the special effects in 2001: A Space Odyssey.  Even though all of his films, apart from the first two, were adapted from novels or short stories, his works have been described by Jason Ankeny and others as "original and visionary". Although some critics, notably Andrew Sarris and Pauline Kael, frequently disparaged Kubrick's work, Ankeny describes Kubrick as one of the most "universally acclaimed and influential directors of the postwar era" with a "standing unique among the filmmakers of his day."

Additional information:

The Search Form


British Film Institute (BFI)

2002
#6
Critics' Top 10 Poll
Greatest Directors of All Time
2002
#8
Directors' Top 10 Poll
Greatest Directors of All Time

Additional Photography:
1957  Paths of Glory

Director:
1951  Day of the Fight
1951  Flying Padre
1953  Fear and Desire
1953  The Seafarers
1955  Killer's Kiss
1956  The Killing
1957  Paths of Glory
1960  Spartacus
1962  Lolita
1964  Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
1968  2001: A Space Odyssey
1971  A Clockwork Orange
1975  Barry Lyndon
1980  The Shining
1987  Full Metal Jacket
1999  Eyes Wide Shut

Director of Photography:
1951  Day of the Fight
1951  Flying Padre
1953  Fear and Desire
1953  The Seafarers
1955  Killer's Kiss
1956  The Killing
1957  Paths of Glory
1960  Spartacus
1962  Lolita
1964  Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
1968  2001: A Space Odyssey
1971  A Clockwork Orange
1975  Barry Lyndon
1980  The Shining
1987  Full Metal Jacket
1999  Eyes Wide Shut

Editor:
1951  Day of the Fight
1951  Flying Padre
1953  Fear and Desire
1953  The Seafarers
1955  Killer's Kiss
1956  The Killing
1957  Paths of Glory
1960  Spartacus
1962  Lolita
1964  Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
1968  2001: A Space Odyssey
1971  A Clockwork Orange
1975  Barry Lyndon
1980  The Shining
1987  Full Metal Jacket
1999  Eyes Wide Shut

Executive Producer:
1951  Day of the Fight
1951  Flying Padre
1953  Fear and Desire
1953  The Seafarers
1955  Killer's Kiss
1956  The Killing
1957  Paths of Glory
1960  Spartacus
1962  Lolita
1964  Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
1968  2001: A Space Odyssey
1971  A Clockwork Orange
1975  Barry Lyndon
1980  The Shining
1987  Full Metal Jacket
1999  Eyes Wide Shut
2001  A.I. Artificial Intelligence

Idea:
1951  Day of the Fight
1951  Flying Padre
1953  Fear and Desire
1953  The Seafarers
1955  Killer's Kiss
1956  The Killing
1957  Paths of Glory
1960  Spartacus
1962  Lolita
1964  Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
1968  2001: A Space Odyssey
1971  A Clockwork Orange
1975  Barry Lyndon
1980  The Shining
1987  Full Metal Jacket
1999  Eyes Wide Shut
2001  A.I. Artificial Intelligence

Producer:
1951  Day of the Fight
1951  Flying Padre
1953  Fear and Desire
1953  The Seafarers
1955  Killer's Kiss
1956  The Killing
1957  Paths of Glory
1960  Spartacus
1962  Lolita
1964  Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
1968  2001: A Space Odyssey
1971  A Clockwork Orange
1975  Barry Lyndon
1980  The Shining
1987  Full Metal Jacket
1999  Eyes Wide Shut
2001  A.I. Artificial Intelligence

Screenplay:
1951  Day of the Fight
1951  Flying Padre
1953  Fear and Desire
1953  The Seafarers
1955  Killer's Kiss
1956  The Killing
1957  Paths of Glory
1960  Spartacus
1962  Lolita
1964  Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
1968  2001: A Space Odyssey
1971  A Clockwork Orange
1975  Barry Lyndon
1980  The Shining
1987  Full Metal Jacket
1999  Eyes Wide Shut
2001  A.I. Artificial Intelligence

Sound:
1951  Day of the Fight
1951  Flying Padre
1953  Fear and Desire
1953  The Seafarers
1955  Killer's Kiss
1956  The Killing
1957  Paths of Glory
1960  Spartacus
1962  Lolita
1964  Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
1968  2001: A Space Odyssey
1971  A Clockwork Orange
1975  Barry Lyndon
1980  The Shining
1987  Full Metal Jacket
1999  Eyes Wide Shut
2001  A.I. Artificial Intelligence

Sound Editor:
1951  Day of the Fight
1951  Flying Padre
1953  Fear and Desire
1953  The Seafarers
1955  Killer's Kiss
1956  The Killing
1957  Paths of Glory
1960  Spartacus
1962  Lolita
1964  Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
1968  2001: A Space Odyssey
1971  A Clockwork Orange
1975  Barry Lyndon
1980  The Shining
1987  Full Metal Jacket
1999  Eyes Wide Shut
2001  A.I. Artificial Intelligence

Story:
1951  Day of the Fight
1951  Flying Padre
1953  Fear and Desire
1953  The Seafarers
1955  Killer's Kiss
1956  The Killing
1957  Paths of Glory
1960  Spartacus
1962  Lolita
1964  Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
1968  2001: A Space Odyssey
1971  A Clockwork Orange
1975  Barry Lyndon
1980  The Shining
1987  Full Metal Jacket
1999  Eyes Wide Shut
2001  A.I. Artificial Intelligence

Visual Effects:
1951  Day of the Fight
1951  Flying Padre
1953  Fear and Desire
1953  The Seafarers
1955  Killer's Kiss
1956  The Killing
1957  Paths of Glory
1960  Spartacus
1962  Lolita
1964  Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
1968  2001: A Space Odyssey
1971  A Clockwork Orange
1975  Barry Lyndon
1980  The Shining
1987  Full Metal Jacket
1999  Eyes Wide Shut
2001  A.I. Artificial Intelligence

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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