A work in constant progress (and occasional regress).
Alias:
اِستانلی کوبریک
स्टैनली कूब्रिक
Birthplace:
New York City, New York, USA
Born:
July 26, 1928
Died:
March 7, 1999
Stanley Kubrick (July 26, 1928 – March 7, 1999) was an American film director, writer, producer, and photographer who lived in England during most of the last four decades of his career. Kubrick was noted for the scrupulous care with which he chose his subjects, his slow method of working, the variety of genres he worked in, his technical perfectionism, and his reclusiveness about his films and personal life. He maintained almost complete artistic control, making movies according to his own whims and time constraints, but with the rare advantage of big-studio financial support for all his endeavors. Kubrick's films are characterized by a formal visual style and meticulous attention to detail—his later films often have elements of surrealism and expressionism that eschews structured linear narrative. His films are repeatedly described as slow and methodical, and are often perceived as a reflection of his obsessive and perfectionist nature. A recurring theme in his films is man's inhumanity to man. While often viewed as expressing an ironic pessimism, a few critics feel his films contain a cautious optimism when viewed more carefully. The film that first brought him attention to many critics was Paths of Glory (1957), the first of three films of his about the dehumanizing effects of war. Many of his films at first got a lukewarm reception, only to be years later acclaimed as masterpieces that had a seminal influence on many later generations of film-makers. Considered especially groundbreaking was 2001: A Space Odyssey (1968) noted for being both one of the most scientifically realistic and visually innovative science-fiction films ever made while maintaining an enigmatic non-linear storyline. He voluntarily withdrew his film A Clockwork Orange (1971) from England, after it was accused of inspiring copycat crimes which in turn resulted in threats against Kubrick's family. His films were largely successful at the box-office, although Barry Lyndon (1975) performed poorly in the United States. Living authors Anthony Burgess and Stephen King were both unhappy with Kubrick's adaptations of their novels A Clockwork Orange and The Shining (1980) respectively, and both authors were engaged with subsequent adaptations. All of Kubrick's films from the mid-1950s to his death except for The Shining were nominated for Oscars, Golden Globes, or BAFTAs. Although he was nominated for an Academy Award as a screenwriter and director on several occasions, his only personal win was for the special effects in 2001: A Space Odyssey. Even though all of his films, apart from the first two, were adapted from novels or short stories, his works have been described by Jason Ankeny and others as "original and visionary". Although some critics, notably Andrew Sarris and Pauline Kael, frequently disparaged Kubrick's work, Ankeny describes Kubrick as one of the most "universally acclaimed and influential directors of the postwar era" with a "standing unique among the filmmakers of his day."
2002 #6 |
Critics' Top 10 Poll
Greatest Directors of All Time |
2002 #8 |
Directors' Top 10 Poll
Greatest Directors of All Time |
Additional Photography:
1957 Paths of Glory
Director:
1951 Day of the Fight
1951 Flying Padre
1953 Fear and Desire
1953 The Seafarers
1955 Killer's Kiss
1956 The Killing
1957 Paths of Glory
1960 Spartacus
1962 Lolita
1964 Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
1968 2001: A Space Odyssey
1971 A Clockwork Orange
1975 Barry Lyndon
1980 The Shining
1987 Full Metal Jacket
1999 Eyes Wide Shut
Director of Photography:
1951 Day of the Fight
1951 Flying Padre
1953 Fear and Desire
1953 The Seafarers
1955 Killer's Kiss
1956 The Killing
1957 Paths of Glory
1960 Spartacus
1962 Lolita
1964 Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
1968 2001: A Space Odyssey
1971 A Clockwork Orange
1975 Barry Lyndon
1980 The Shining
1987 Full Metal Jacket
1999 Eyes Wide Shut
Editor:
1951 Day of the Fight
1951 Flying Padre
1953 Fear and Desire
1953 The Seafarers
1955 Killer's Kiss
1956 The Killing
1957 Paths of Glory
1960 Spartacus
1962 Lolita
1964 Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
1968 2001: A Space Odyssey
1971 A Clockwork Orange
1975 Barry Lyndon
1980 The Shining
1987 Full Metal Jacket
1999 Eyes Wide Shut
Executive Producer:
1951 Day of the Fight
1951 Flying Padre
1953 Fear and Desire
1953 The Seafarers
1955 Killer's Kiss
1956 The Killing
1957 Paths of Glory
1960 Spartacus
1962 Lolita
1964 Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
1968 2001: A Space Odyssey
1971 A Clockwork Orange
1975 Barry Lyndon
1980 The Shining
1987 Full Metal Jacket
1999 Eyes Wide Shut
2001 A.I. Artificial Intelligence
Idea:
1951 Day of the Fight
1951 Flying Padre
1953 Fear and Desire
1953 The Seafarers
1955 Killer's Kiss
1956 The Killing
1957 Paths of Glory
1960 Spartacus
1962 Lolita
1964 Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
1968 2001: A Space Odyssey
1971 A Clockwork Orange
1975 Barry Lyndon
1980 The Shining
1987 Full Metal Jacket
1999 Eyes Wide Shut
2001 A.I. Artificial Intelligence
Producer:
1951 Day of the Fight
1951 Flying Padre
1953 Fear and Desire
1953 The Seafarers
1955 Killer's Kiss
1956 The Killing
1957 Paths of Glory
1960 Spartacus
1962 Lolita
1964 Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
1968 2001: A Space Odyssey
1971 A Clockwork Orange
1975 Barry Lyndon
1980 The Shining
1987 Full Metal Jacket
1999 Eyes Wide Shut
2001 A.I. Artificial Intelligence
Screenplay:
1951 Day of the Fight
1951 Flying Padre
1953 Fear and Desire
1953 The Seafarers
1955 Killer's Kiss
1956 The Killing
1957 Paths of Glory
1960 Spartacus
1962 Lolita
1964 Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
1968 2001: A Space Odyssey
1971 A Clockwork Orange
1975 Barry Lyndon
1980 The Shining
1987 Full Metal Jacket
1999 Eyes Wide Shut
2001 A.I. Artificial Intelligence
Sound:
1951 Day of the Fight
1951 Flying Padre
1953 Fear and Desire
1953 The Seafarers
1955 Killer's Kiss
1956 The Killing
1957 Paths of Glory
1960 Spartacus
1962 Lolita
1964 Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
1968 2001: A Space Odyssey
1971 A Clockwork Orange
1975 Barry Lyndon
1980 The Shining
1987 Full Metal Jacket
1999 Eyes Wide Shut
2001 A.I. Artificial Intelligence
Sound Editor:
1951 Day of the Fight
1951 Flying Padre
1953 Fear and Desire
1953 The Seafarers
1955 Killer's Kiss
1956 The Killing
1957 Paths of Glory
1960 Spartacus
1962 Lolita
1964 Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
1968 2001: A Space Odyssey
1971 A Clockwork Orange
1975 Barry Lyndon
1980 The Shining
1987 Full Metal Jacket
1999 Eyes Wide Shut
2001 A.I. Artificial Intelligence
Story:
1951 Day of the Fight
1951 Flying Padre
1953 Fear and Desire
1953 The Seafarers
1955 Killer's Kiss
1956 The Killing
1957 Paths of Glory
1960 Spartacus
1962 Lolita
1964 Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
1968 2001: A Space Odyssey
1971 A Clockwork Orange
1975 Barry Lyndon
1980 The Shining
1987 Full Metal Jacket
1999 Eyes Wide Shut
2001 A.I. Artificial Intelligence
Visual Effects:
1951 Day of the Fight
1951 Flying Padre
1953 Fear and Desire
1953 The Seafarers
1955 Killer's Kiss
1956 The Killing
1957 Paths of Glory
1960 Spartacus
1962 Lolita
1964 Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
1968 2001: A Space Odyssey
1971 A Clockwork Orange
1975 Barry Lyndon
1980 The Shining
1987 Full Metal Jacket
1999 Eyes Wide Shut
2001 A.I. Artificial Intelligence
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.