A Clockwork Orange (1971) [R]

Release Date:
December 19, 1971

Original Title:
A Clockwork Orange

Alternate Titles:
Kellopeliappelsiini
La naranja mecánica
Laranja Mecânica
Mechaniczna pomarańcza
Паклена поморанџа
תפוז מכני
時計じかけのオレンジ:1971
시계태엽 오렌지

Genres:
Crime | Science Fiction

Production Companies:
Hawk Films
Kubrick Productions
Polaris Productions Limited
Warner Bros. Pictures

Production Countries:
United Kingdom

Ratings / Certifications:
AR: 18  AU: R 18+  BE: 18  BR: 16|18  CA: R  DE: 16  DK: 15  ES: 18  FI: K-18  FR: 18  GB: 18  GR: K-17   HK: III  IE: 18  IT: VM 18  JP: R15+  KR: 19  LT: N-18  MX: C   NL: 18|16  NO: 18  PL: 18  PT: M/18  SE: 15  TR: 18+  TW: 限制級  US: R  ZA: 18 

Runtime: 137

Being the adventures of a young man whose principal interests are rape, ultra-violence and Beethoven.

In a near-future Britain, young Alexander DeLarge and his pals get their kicks beating and raping anyone they please. When not destroying the lives of others, Alex swoons to the music of Beethoven. The state, eager to crack down on juvenile crime, gives an incarcerated Alex the option to undergo an invasive procedure that'll rob him of all personal agency. In a time when conscience is a commodity, can Alex change his tune?

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

American Film Institute (AFI)

1998
#46
100 Years: 100 MOVIES
100 Greatest American Movies Of All Time
2001
#21
100 Years: 100 THRILLS
100 Most Thrilling American Films
2003
#12
100 Years: 100 HEROES & VILLAINS
50 Greatest Villains
“Alex De Large”
2007
#70
100 Years: 100 MOVIES — 10TH ANNIVERSARY EDITION
100 Greatest American Films Of All Time
2008
#4
Top 10: SCI-FI
10 Greatest SCI-FI Films of All Time

British Film Institute (BFI)

2012
#75
Directors' Top 100 Poll
Greatest Films of All Time

Art Direction:
Russell Hagg
Peter Sheilds

Assistant Camera:
Laurie Frost

Assistant Director:
Derek Cracknell
Dusty Symonds

Assistant Editor:
Gary Shepherd
Peter Burgess
David Beesley

Associate Producer:
Bernard Williams

Boom Operator:
Peter Glossop

Camera Operator:
Ernest Day
Mike Molloy

Casting:
James Liggat

Chief Lighting Technician:
Frank Wardale

Construction Foreman:
Bill Welch

Continuity:
June Randall

Costume Design:
Milena Canonero

Director:
Stanley Kubrick

Director of Photography:
John Alcott

Editor:
Bill Butler

Electrician:
Lou Bogue
Derek Gatrell

Executive Producer:
Si Litvinoff
Max L. Raab

First Assistant Camera:
David Lenham

Focus Puller:
Ron Drinkwater

Grip:
Don Budge
Tony Cridlin
Amber Nordstrand

Hairstylist:
Olga Angelinetta

Location Manager:
Terence A. Clegg

Makeup Artist:
Barbara Daly

Novel:
Anthony Burgess

Original Music Composer:
Wendy Carlos

Producer:
Stanley Kubrick

Production Accountant:
Len Barnard

Production Design:
John Barry

Property Master:
Frank Bruton

Screenplay:
Stanley Kubrick

Sound Designer:
Brian Blamey

Sound Re-Recording Mixer:
Bill Rowe
Eddie Haben

Sound Recordist:
John Jordan

Stunt Coordinator:
Roy Scammell

Wardrobe Supervisor:
Ron Beck

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.