A work in constant progress (and occasional regress).
Release Date:
December 19, 1971
Original Title:
A Clockwork Orange
Alternate Titles:
Kellopeliappelsiini
La naranja mecánica
Laranja Mecânica
Mechaniczna pomarańcza
Паклена поморанџа
תפוז מכני
時計じかけのオレンジ:1971
시계태엽 오렌지
Genres:
Crime | Science Fiction
Production Companies:
Hawk Films
Kubrick Productions
Polaris Productions Limited
Warner Bros. Pictures
Production Countries:
United Kingdom
Ratings / Certifications:
AR: 18 AU: R 18+ BE: 18 BR: 16|18 CA: R DE: 16 DK: 15 ES: 18 FI: K-18 FR: 18 GB: 18 GR: K-17 HK: III IE: 18 IT: VM 18 JP: R15+ KR: 19 LT: N-18 MX: C NL: 18|16 NO: 18 PL: 18 PT: M/18 SE: 15 TR: 18+ TW: 限制級 US: R ZA: 18
Runtime: 137
In a near-future Britain, young Alexander DeLarge and his pals get their kicks beating and raping anyone they please. When not destroying the lives of others, Alex swoons to the music of Beethoven. The state, eager to crack down on juvenile crime, gives an incarcerated Alex the option to undergo an invasive procedure that'll rob him of all personal agency. In a time when conscience is a commodity, can Alex change his tune?
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
1998 #46 |
100 Years: 100 MOVIES
100 Greatest American Movies Of All Time |
2001 #21 |
100 Years: 100 THRILLS
100 Most Thrilling American Films |
2003 #12 |
100 Years: 100 HEROES & VILLAINS
50 Greatest Villains “Alex De Large” |
2007 #70 |
100 Years: 100 MOVIES — 10TH ANNIVERSARY EDITION
100 Greatest American Films Of All Time |
2008 #4 |
Top 10: SCI-FI
10 Greatest SCI-FI Films of All Time |
2012 #75 |
Directors' Top 100 Poll
Greatest Films of All Time |
Art Direction:
Russell Hagg
Peter Sheilds
Assistant Camera:
Laurie Frost
Assistant Director:
Derek Cracknell
Dusty Symonds
Assistant Editor:
Gary Shepherd
Peter Burgess
David Beesley
Associate Producer:
Bernard Williams
Boom Operator:
Peter Glossop
Camera Operator:
Ernest Day
Mike Molloy
Casting:
James Liggat
Chief Lighting Technician:
Frank Wardale
Construction Foreman:
Bill Welch
Continuity:
June Randall
Costume Design:
Milena Canonero
Director:
Stanley Kubrick
Director of Photography:
John Alcott
Editor:
Bill Butler
Electrician:
Lou Bogue
Derek Gatrell
Executive Producer:
Si Litvinoff
Max L. Raab
First Assistant Camera:
David Lenham
Focus Puller:
Ron Drinkwater
Grip:
Don Budge
Tony Cridlin
Amber Nordstrand
Hairstylist:
Olga Angelinetta
Location Manager:
Terence A. Clegg
Makeup Artist:
Barbara Daly
Novel:
Anthony Burgess
Original Music Composer:
Wendy Carlos
Producer:
Stanley Kubrick
Production Accountant:
Len Barnard
Production Design:
John Barry
Property Master:
Frank Bruton
Screenplay:
Stanley Kubrick
Sound Designer:
Brian Blamey
Sound Re-Recording Mixer:
Bill Rowe
Eddie Haben
Sound Recordist:
John Jordan
Stunt Coordinator:
Roy Scammell
Wardrobe Supervisor:
Ron Beck
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.