A work in constant progress (and occasional regress).
Release Date:
January 29, 1964
Original Title:
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
Alternate Titles:
Docteur Folamour
Docteur Folamour ou : comment j'ai appris à ne plus m'en faire et à aimer la bombe
Doktor Strangelove, lub jak przestałem się martwić i pokochałem bombę
Doutor Estranhoamor
Dr Folamour
Dr Strangelove
Dr. Divnoláska aneb Jak jsem se naucil nedelat si starosti a mít rád bombu
Dr. Fantástico
Dr. Fantástico, Ou Como Eu Aprendi a Deixar de me Preocupar e Amar a Bomba
Dr. Folamour
Dr. Insólito
Dr. Insólito o: Como aprendí a dejar de preocuparme y amar la bomba
Dr. Strangelove
Dr. Strangelove SOS-Πεντάγωνο Καλεί Μόσχα
Dr. Strangelove eller: Hvordan jeg lærte å stoppe med å bekymre meg og å elske bomben
Dr. Vreemdelust of: Hoe Ik Mijn Twijfel Overwon en de Bom Leerde Liefhebben
Garip Doktor
Hakase no ijô na aijô: Matawa watashi wa ikani shite shinpai suru no wo yamete suibaku wo aisuru you ni natta ka
Il Dottor Stranamore
Il dottor Stranamore, ovvero come imparai a non preoccuparmi e ad amare la bomba
Telefono rojo volamos hacia moscu?
Tohtori Outolempi eli: Kuinka lakkasin olemasta huolissani ja opin rakastamaan pommia
¿Teléfono rojo? Volamos hacia Moscú
Доктор Стрейнджлав, або Як я перестав хвилюватись i полюбив бомбу
Доктор Стрейнджлав, или Как я научился не волноваться и полюбил атомную бомбу
Доктор Стрејнџлав или: Како сам научио да не бринем и заволим бомбу
ดร.สเตรนจ์เลิฟ
ดอกเตอร์สเตรนจ์เลิฟ หรือ: ผมรู้วิธีเลิกกังวลและรักระเบิดได้อย่างไร
奇愛博士
닥터 스트레인지러브
Genres:
Comedy | War
Production Companies:
Hawk Films
Production Countries:
United Kingdom
Ratings / Certifications:
AU: PG BR: 10 CZ: 15+ DE: 16 DK: 15 ES: 18 FR: TP|12 GB: PG IE: PG IT: T NL: 6 PT: M/12 SE: 11 US: PG
Runtime: 95
After the insane General Jack D. Ripper initiates a nuclear strike on the Soviet Union, a war room full of politicians, generals and a Russian diplomat all frantically try to stop the nuclear strike.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
1998 #26 |
100 Years: 100 MOVIES
100 Greatest American Movies Of All Time |
2000 #3 |
100 Years: 100 LAUGHS
100 Funniest American Movies Of All Time |
2005 #64 |
100 Years: 100 MOVIE QUOTES
100 Greatest Movie Quotes Of All Time “Gentlemen, you can't fight in here! This is the War Room!” |
2007 #39 |
100 Years: 100 MOVIES — 10TH ANNIVERSARY EDITION
100 Greatest American Films Of All Time |
2002 #6 |
Directors' Top 10 Poll
Greatest Films of All Time |
ADR & Dubbing:
John Aldred
Art Direction:
Peter Murton
Assistant Director:
Eric Rattray
Assistant Editor:
Ray Lovejoy
Camera Operator:
Kelvin Pike
Continuity:
Pamela Carlton
Director:
Stanley Kubrick
Director of Photography:
Gilbert Taylor
Editor:
Anthony Harvey
Executive Producer:
Leon Minoff
Hairstylist:
Barbara Ritchie
Key Grip:
Michael Walter
Makeup Artist:
Stuart Freeborn
Novel:
Peter George
Original Music Composer:
Laurie Johnson
Producer:
Stanley Kubrick
Victor Lyndon
Production Design:
Ken Adam
Production Manager:
Clifton Brandon
Screenplay:
Stanley Kubrick
Terry Southern
Peter George
Sound:
John Cox
Sound Editor:
Leslie Hodgson
Sound Recordist:
Richard Bird
Special Effects:
Alan Bryce
Wally Veevers
Garth Inns
Arthur 'Weegee' Fellig
Still Photographer:
Bob Penn
Stunt Double:
Alan Stuart
Title Designer:
Pablo Ferro
Visual Effects Camera:
Jim Body
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.