A work in constant progress (and occasional regress).
Additional Sound Re-Recording Mixer:
2022 The People We Hate at the Wedding
Dialogue Editor:
2019 The Young Cannibals
2022 The People We Hate at the Wedding
Mix Technician:
2019 The Young Cannibals
2020 Make Up
2022 The 355
2022 The People We Hate at the Wedding
Sound Mix Technician:
2018 Isle of Dogs
2019 Cold Pursuit
2019 The Young Cannibals
2020 Make Up
2020 The Secret Garden
2022 The 355
2022 The People We Hate at the Wedding
Sound Mixer:
2018 Isle of Dogs
2019 Cold Pursuit
2019 The Young Cannibals
2020 Make Up
2020 The Secret Garden
2022 The 355
2022 The People We Hate at the Wedding
2023 Close Your Eyes
Sound Re-Recording Mixer:
2018 Isle of Dogs
2019 Cold Pursuit
2019 The Young Cannibals
2020 Make Up
2020 The Secret Garden
2021 Maixabel
2022 Dashcam
2022 The 355
2022 The People We Hate at the Wedding
2023 Close Your Eyes
2024 Lee
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.