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Make Up (2020) [N/A]

Release Date:
July 31, 2020

Original Title:
Make Up

Genres:
Drama | Thriller

Production Companies:
Quiddity Films
iFeatures

Production Countries:
United Kingdom

Ratings / Certifications:
GB: 15  IE: 15  SE: 15 

Runtime: 86

Devotion. Suspicion. Obsession.

Overview from TheMovieDB

After Ruth moves in with her boyfriend in a remote holiday park, tensions rise as she makes an unsettling discovery that lures her into a spiral of obsession.

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Additional information:

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Trailer

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Performers

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Production

ADR Post Producer:
Lisa Jacobi

Art Department Assistant:
Peter Clarke

Art Department Trainee:
Carolina De Lemos
Natalys Willcox
Sara Kuna

Art Direction:
Olive Boland

Assistant Art Director:
Werner Van Peppen

Assistant Director Trainee:
Faith Glenister
James Chatwin

Associate Producer:
Laura Giles

Boom Operator:
Darryl Peat

Camera Trainee:
Paddy Driscoll

Casting Associate:
Nicola Chisholm

Casting Director:
Olivia Scott-Webb

Catering:
Sally Petersen
Andy Petersen

Chaperone:
Cath Wilton
Rhys Wilton

Choreographer:
Jamie Neale

Co-Producer:
Michael S. Constable

Construction Manager:
Jay Gentle

Costume Assistant:
Jo Stobbs

Costume Design:
Holly Smart

Costume Supervisor:
Isabelle Fraser

Data Management Technician:
Rory Ferron
Diogo Oliveira
Silvano Bianchi
Davide Correia

Dialect Coach:
Tim Charrington
Steve Hall

Dialogue Editor:
Maiken Hansen

Digital Imaging Technician:
Linda McDonald Cairns

Digital Intermediate Colorist:
Jodie Davidson

Digital Intermediate Editor:
Maikel Popic
Johnathan Dickinson

Digital Intermediate Producer:
Abigail McKenzie

Director:
Claire Oakley

Director of Photography:
Nick Cooke

Drone Operator:
David James Stuart

EPK Editor:
Jude Lilley

Editor:
Sacha Szwarc

Electrician:
Dave McLaren
Amy Rixon

Epk Director:
Daniel Simpkins

Executive Producer:
Eva Yates
Zorana Piggott
Jim Reeve
Mary Burke
Paul Ashton
Steve Jenkins

First Assistant Camera:
Naomi Hancock

First Assistant Director:
Jeroen Bogaert

Floor Runner:
Sophie Taylor

Foley Artist:
Karolina Jedrzejczyk

Foley Editor:
Claudia Sanchez Torres

Gaffer:
Ben Starkin

Hair Designer:
Adele Firth

Health and Safety:
Mick Hurrell

Line Producer:
Filiz-Theres Erel

Location Manager:
Sam Chesworth

Location Scout:
Amie Tridgell

Makeup Designer:
Adele Firth

Makeup Trainee:
Beki Goulding
Gemma Norton

Mix Technician:
Candela Palencia

Music Consultant:
Emily ffrench Blake

Music Producer:
Ben Salisbury

Music Supervisor:
Phil Canning

Musician:
Ben Salisbury

Original Music Composer:
Ben Salisbury

Post Production Assistant:
Gabby Kardar

Producer:
Emily Morgan

Production Accountant:
Shayne Savill

Production Design:
Sofia Stocco

Production Manager:
Cecily Colahan

Production Sound Mixer:
Sara Lima

Production Trainee:
Dom Weeks

Scoring Mixer:
Rupert Coulson

Script Editor:
Philippe Barrière

Script Supervisor:
Bhairavi Patel

Second Assistant Camera:
Ryan Sharpe
Lucas Campain

Second Assistant Director:
Darren Baba

Sound Designer:
Ania Przygoda

Sound Re-Recording Mixer:
Jamie Roden

Special Effects Assistant:
Peter Clarke

Steadicam Operator:
Charlie Cowper

Still Photographer:
Dom Weeks
Alex Bailey

Storyboard Artist:
Daniel O'Donnell-Smith

Stunt Double:
Amy Campbell

Supervising Art Director:
Iain Andrews

Third Assistant Director:
Alexandra Beahan

Unit Publicist:
Zoe Flower

Visual Effects Producer:
Karl Kuehn

Visual Effects Supervisor:
Nick Bennett

Writer:
Claire Oakley

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.