A work in constant progress (and occasional regress).
Release Date:
November 17, 2022
Original Title:
The People We Hate at the Wedding
Alternate Titles:
Der schlimmste Tag in meinem Leben
ครอบครัวกวนป่วนงานแต่ง
はちゃめちゃウェディング 世界一の迷惑家族
婚礼上我们讨厌的人
Genres:
Comedy
Production Companies:
Amazon Studios
FilmNation Entertainment
Wishmore
Production Countries:
United States of America
Ratings / Certifications:
BR: 14 CA: 18A ES: 16 FR: 16 IE: 16 NL: 16 SE: 15 SG: M18 US: R
Runtime: 99
A dysfunctional family that can't seem to get along and get it together reluctantly reunites for a family wedding. As their many skeletons are wrenched from the closet, it turns out to be just what this singular family needs to reconnect.
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"B" Camera Operator:
Jermaine Edwards
James Paul Thomas
"C" Camera Operator:
Lucy Bristow
ADR Editor:
James White
ADR Mixer:
Mark DeSimone
Jeffrey Roy
ADR Recordist:
Isaac Kuruvilla Balachandran
Jennie Shea
Additional Sound Re-Recording Mixer:
Brian Hawlk
Candela Palencia
Additional Visual Effects:
Eleana Gabriel
Art Department Coordinator:
Isabelle Leduc
Art Department Trainee:
Ej Schreuder
Art Direction:
Erin Shien Smith
Assistant Art Director:
Charlie Fowler
Assistant Costume Designer:
Jovana Gospavic
Assistant Director:
Daniel Carmel
Assistant Editor:
Andrew Blustain
Joseph Suzuki
Assistant Location Manager:
Francesca Marago
Richard Nock
Camera Trainee:
Beatrice da Gama
Casting:
Theo Park
Casting Associate:
Maisie Buck
Co-Writer:
Wendy Molyneux
Compositing Supervisor:
Matt Richardson
Conductor:
Tom Howe
Costume Design:
Annie Hardinge
Costume Supervisor:
Cédric Andries
Dailies Technician:
Jarryd Hall
Daily Makeup & Hair:
Alison Hanken
Dialect Coach:
Nick Trumble
Dialogue Editor:
Sabrina Naumann
Digital Compositor:
Naomi Provis
Sam Ridgway
Joe Wreford
Digital Imaging Technician:
Mark Glenister
Digital Intermediate Colorist:
Paul Ensby
Digital Intermediate Editor:
Yogi Patel
Digital Intermediate Producer:
Cornelius Shea
Director:
Claire Scanlon
Director of Photography:
Oliver Stapleton
Draughtsman:
Jack Haggerty
Dressing Prop:
Craig Lynch
Josh Round
Drone Cinematographer:
Neil Cain
Editor:
Wendy Greene Bricmont
Executive Producer:
Ben Browning
Alison Cohen
Christos V. Konstantakopoulos
Milan Popelka
Executive Visual Effects Producer:
Juliette Yager
First Assistant Director:
Adam Morris
Eric Glasser
First Assistant Editor:
Kris Cole
First Assistant Sound Editor:
Barry Coxhead
Bálint Csáki
Thomas Fennell
Michael Sinden
Gaffer:
Jonathan Spencer
Graphic Designer:
Jekaterina Potasova
Hair Department Head:
Kristen Saia
Hair Designer:
Lucy Cain
Hair Supervisor:
Siobhán McGrath
Hairstylist:
Sara Austin
Laura McGowan
Head of Production:
Glenn S. Gainor
Key Grip:
Alex Coverley
Michael C. Price
Lighting Technician:
Kieran Duff
Line Producer:
Louise Killin
Marina Stabile
Location Assistant:
Monique Dulieu
Tom Stanimeros
Location Coordinator:
Mara Vodinelic
Location Manager:
Charlie Somers
Makeup Artist:
Sara Austin
Laura McGowan
Makeup Designer:
Lucy Cain
Makeup Supervisor:
Siobhán McGrath
Makeup Trainee:
Paige McKiernan
Music Editor:
Christopher M. Foster
Music Supervisor:
Becca Gatrell
Musician:
Clifton Harrison
Steve Mair
Laurence Ungless
Novel:
Grant Ginder
Orchestrator:
David Butterworth
Original Music Composer:
Tom Howe
Post Production Coordinator:
Alyssa Tomaneng
Flo Miller
Producer:
Ashley Fox
Margot Hand
Production Coordinator:
Cecily Colahan
Production Design:
Jane Musky
Production Sound Mixer:
Paul Paragon
Property Master:
Ben Hopwood
Props:
Terence N. Morgan
Score Engineer:
Mat Bartram
Scoring Mixer:
Jake Jackson
Screenplay:
Lizzie Molyneux-Logelin
Script Supervisor:
Marilyn Kirby
Second Assistant "A" Camera:
Adam Kavanagh
Second Assistant Camera:
Aaron Paul Champion
Grace Thomas
Second Assistant Director:
Charlie Vaughan
Second Assistant Sound:
Francesca Renda
Set Decorating Coordinator:
Nicholas Peter Yee
Set Decoration:
Kimberley McBeath
Set Dresser:
Ryan Lynch
Set Production Assistant:
Alekko Batoctoy
Sound Effects Editor:
Grace Averbuch
Michael Gilbert
Matt Waites
Sound Mix Technician:
Chiara Cabri
George Elliott
Declan Ilett
Tushar Manek
Sound Re-Recording Mixer:
Dillon Bennett
Brendan Nicholson
Sound Recordist:
Phil Hartley
Special Effects Technician:
Destiny Trow
Standby Art Director:
Freya Espie
Standby Carpenter:
Aaron Davies
Storyboard Artist:
Martyna Jakimowska
Stunt Coordinator:
Gary Arthurs
Stunt Double:
Yusuf Chaudhri
Christina Low
Nellie Burroughes
Bianca Rennie
Stunts:
Jodie Saunders
Charles Jarman
Supervising ADR Editor:
Adam Horley
Supervising Art Director:
John McHugh
Supervising Dialogue Editor:
Adam Horley
Supervising Sound Editor:
Dillon Bennett
Temp Music Editor:
Joanie Diener
Third Assistant Director:
David Connon
Transportation Co-Captain:
Ben Brigden
Unit Production Manager:
Liza Carmel
Unit Publicist:
Ellen Steers
VFX Editor:
Conor O'Sullivan
Visual Effects:
Michael Lebensfeld
Visual Effects Coordinator:
Paige Prokop
Visual Effects Producer:
Bosky Kr
Abhishek Kumar
Tommy Leigh
Visual Effects Production Manager:
Michael Lebensfeld
Wardrobe Master:
Ilaria Mosca
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.