A work in constant progress (and occasional regress).
Release Date:
June 21, 2024
Original Title:
하이재킹
Alternate Titles:
Hijack 1971
Hijacking
Отвличане 1971
هایجک 1971 ( هواپیما ربایی)
นรกเหนือน่านฟ้า
亡命機劫
劫機1971
Genres:
Action | Crime | Thriller
Production Companies:
Channel Plus
Perfect Storm Film
Production Countries:
South Korea
Ratings / Certifications:
GB: 15 HK: IIB KR: 12 SG: NC16 TH: 13
Runtime: 100
Pilots Tae-in and Gyu-sik are set to fly to Gimpo. Under the guidance of flight attendant Ok-soon, passengers are busy boarding. However, shortly after takeoff, a homemade bomb explodes, turning the cabin into chaos.
Action Director:
Noh Nam-seok
Costume Design:
Cho Hee-ran
Digital Intermediate:
Kim Hyung-seok
Director:
Kim Sung-han
Director of Photography:
Lee Hyung-deok
Editor:
Kim Sang-bum
Kim Ho-bin
Executive Producer:
Roh Mun
Kang Myung-chan
Kim Kyung-chan
Grip:
Jung Hoon
Lighting Director:
Ryu Si-moon
Line Producer:
Park Jun-yeol
Makeup & Hair:
Choi Hye-lim
Martial Arts Choreographer:
Noh Nam-seok
Music:
Kim Tae-seong
Producer:
Roh Mun
Jeong Won-chan
Production Design:
Kim Byung-han
Props:
Park Jae-wan
Set Decoration:
Kim Jung-gon
Sound:
Kim Suk-won
Sound Recordist:
Jeong Gwang-ho
Special Effects Supervisor:
Ryu Yeong-jae
Jung Do-ahn
Visual Effects:
Park Seong-jin
Yeom Do-seon
Jung Jae-wook
Writer:
Kim Kyung-chan
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.