Franco Nero (b. 1941)

Alias:
Francesco Clemente Giuseppe Sparanero
Frank Black
Frank Nero
Франко Неро

Birthplace:
San Prospero Parmense, Emilia-Romagna, Italy

Born:
November 23, 1941

Francesco Clemente Giuseppe Sparanero (born 23 November 1941), known professionally as Franco Nero, is an Italian actor, producer, and director. His breakthrough role was as the title character in the Spaghetti Western film Django (1966), which made him a pop culture icon and launched an international career that includes over 200 leading and supporting roles in a wide variety of films and television programmes.  During the 1960s and 1970s, Nero was actively involved in many popular Italian "genre trends", including poliziotteschi, gialli, and Spaghetti Westerns. His best-known films include The Bible: In the Beginning... (1966), Camelot (1967), The Day of the Owl (1968), The Mercenary (1968), Battle of Neretva (1969), Tristana (1970), Compañeros (1970), Confessions of a Police Captain (1971), The Fifth Cord (1971), High Crime (1973), Street Law (1974), Keoma (1976), Hitch-Hike (1977), Force 10 from Navarone (1978), Enter the Ninja (1981), Die Hard 2 (1990), Letters to Juliet (2010), Cars 2 (2011), and John Wick: Chapter 2 (2017).  Nero has had a long relationship with Vanessa Redgrave, which began during the filming of Camelot. They were married in 2006, and are the parents of the actor Carlo Gabriel Nero.  Description above from the Wikipedia article Franco Nero licensed under CC-BY-SA, full list of contributors on Wikipedia.

Additional information:

The Search Form


Co-Producer:
1970  Dropout
1979  The Shark Hunter

Director:
1970  Dropout
1979  The Shark Hunter
2005  Forever Blues
2023  The Man Who Drew God

Executive Producer:
1970  Dropout
1979  The Shark Hunter
2005  Forever Blues
2008  La rabbia
2014  The Mystery of Dante
2023  The Man Who Drew God
????  The Estate

Producer:
1970  Dropout
1971  Vacation
1979  The Shark Hunter
1993  Test of Memory
1995  Jonathan of the Bears
2000  Uninvited
2005  Forever Blues
2008  La rabbia
2014  The Mystery of Dante
2023  The Man Who Drew God
????  The Estate

Still Photographer:
1966  The Bible: In the Beginning...
1970  Dropout
1971  Vacation
1979  The Shark Hunter
1993  Test of Memory
1995  Jonathan of the Bears
2000  Uninvited
2005  Forever Blues
2008  La rabbia
2014  The Mystery of Dante
2023  The Man Who Drew God
????  The Estate

Story:
1966  The Bible: In the Beginning...
1970  Dropout
1971  Vacation
1979  The Shark Hunter
1993  Test of Memory
1995  Jonathan of the Bears
2000  Uninvited
2005  Forever Blues
2008  La rabbia
2014  The Mystery of Dante
2023  The Man Who Drew God
????  The Estate

Thanks:
1966  The Bible: In the Beginning...
1970  Dropout
1971  Vacation
1979  The Shark Hunter
1993  Test of Memory
1995  Jonathan of the Bears
2000  Uninvited
2005  Forever Blues
2008  La rabbia
2012  Django Unchained
2014  The Mystery of Dante
2023  The Man Who Drew God
????  The Estate

Writer:
1966  The Bible: In the Beginning...
1970  Dropout
1971  Vacation
1979  The Shark Hunter
1993  Test of Memory
1995  Jonathan of the Bears
2000  Uninvited
2005  Forever Blues
2008  La rabbia
2012  Django Unchained
2014  The Mystery of Dante
2023  The Man Who Drew God
????  The Estate

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Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.