A work in constant progress (and occasional regress).
Release Date:
February 17, 1968
Original Title:
Il giorno della civetta
Alternate Titles:
Day of the Owl
Der Tag der Eule
Dzien puszczyka
El silencio del diablo
La mafia fait la loi
Mafia
Mint a bagoly nappal
O Dia da Vergonha
The Day of the Owl
Uglens dag
День совы
Денят на кукумявката
Сова появляется днём
Genres:
Crime | Drama
Production Companies:
Corona Cinematografica
Les Films Corona
Panda - Società per l'Industria Cinematografica
Production Countries:
France | Italy
Ratings / Certifications:
DE: 16 HU: 16
Runtime: 108
Set in Sicily, this violent crime drama tells the tale of an Italian cop who heads to a small island town to look into the death of a construction supplier. Once there he is shocked by the influence the Mafia has over the people and even himself.
Administration:
Adalberto Spadoni
Assistant Camera:
Giuseppe Lanci
Roberto Forges Davanzati
Assistant Editor:
Rossana Maiuri
Assistant Production Design:
Carlo Ferri
Boom Operator:
Alvaro Orsini
Camera Operator:
Franco Di Giacomo
Conductor:
Bruno Nicolai
Costume Design:
Marilù Carteny
Director:
Damiano Damiani
Director of Photography:
Tonino Delli Colli
Editor:
Nino Baragli
First Assistant Director:
Mino Giarda
Gaffer:
Alberto Ridolfi
Hairstylist:
Elvio Dottori
Key Grip:
Augusto Diamanti
Line Producer:
Piero Donati
Makeup Artist:
Orietta Melaranci
Novel:
Leonardo Sciascia
Original Music Composer:
Giovanni Fusco
Producer:
Ermanno Donati
Luigi Carpentieri
Production Design:
Sergio Canevari
Production Manager:
Alfonso Donati
Lucio Trentini
Production Secretary:
Federico Starace
Screenplay:
Ugo Pirro
Damiano Damiani
Script Supervisor:
Gianni Siragusa
Second Assistant Director:
Gianluigi Calderone
Sound:
Carlo Palmieri
Still Photographer:
Mario Mazzoni
Unit Manager:
Franco Cuccu
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.