A work in constant progress (and occasional regress).
Release Date:
September 3, 1982
Original Title:
Grog
Genres:
Comedy
Production Companies:
Film Coop
RAI
Production Countries:
Italy
Ratings / Certifications:
N/A
Runtime: 95
Two convicts escape from prison and evade the law by taking hostage the middle-class family of a doctor. One of the jailbirds calls the local television station, requesting that they broadcast his demand for a plane so they can escape the country. The television director and his crew show up to film the hostage crisis, and then things get progressively more bizarre and satirical. Not content with the living drama, he directs everyone's actions to make the event more newsworthy.
Administration:
Patrizia Poggesi
Maria Sabatini
Assistant Costume Designer:
Tiziana Mancini
Assistant Editor:
Anita Cacciolati
Assistant Production Design:
Lorenzo D'Ambrosio
Assistant Property Master:
Roberto Giacomelli
Assistant Set Decoration:
Livia Del Priore
Boom Operator:
Armando Janota
Camera Operator:
Carlo Tafani
Colorist:
Giacomo Volpi
Costume Design:
Nicoletta Ercole
Director:
Francesco Laudadio
Director of Photography:
Giuseppe Maccari
Editor:
Gino Bartolini
Electrician:
Francesco Cinti
Gaetano Coniglio
First Assistant Camera:
Giuseppe Alberti
Giovanni Mozzillo
First Assistant Director:
Giacomo Campiotti
Gaffer:
Alfio Ambrogi
Grip:
Salvatore Corsi
Aldo Stella
Hairdresser:
Ernesta Cesetti
Key Grip:
Mario Stella
Line Producer:
Loretta Bernabei
Makeup Artist:
Gloria Fava
Stefania Sapori
Original Music Composer:
Paolo Conte
Italo Greco
Jimmy Fontana
Production Design:
Lorenzo Baraldi
Production Manager:
Massimo Alberini
Property Master:
Vincenzo Visone
Screenplay:
Silvia Napolitano
Francesco Laudadio
Script Supervisor:
Alessandro Di Robilant
Seamstress:
Franca Paoletti
Second Assistant Director:
Franco Angeli
Set Decoration:
Romano Coddetta
Sound:
Massimo Loffredi
Sound Mixer:
Fausto Ancillai
Special Effects:
Giovanni Diodato
Story:
Francesco Laudadio
Unit Manager:
Ornella Bernabei
Lamberto Lenza
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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